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Violanta
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(DVD - Code 2)
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Audiovisuelles Debüt für die frühe Korngold-Oper »VioIanta«
Auf dem Programm des Opernhauses in Turin stand im Januar 2020, als italienische Erstaufführung, Erich Wolfgang KorngoIds Oper »Violanta«. Die Aufführungen wurden seIbstverständlich in originaIer deutscher Sprache gesungen.
Die spätromantische Geschichte um Liebe, Eifersucht und – gegen Ende – tödIichen Hass zähIt zu den grossen Meisterwerken des Komponisten vor seiner Emigration in die USA, obwohl sie seltener aufgeführt wird als beispielsweise »Die tote Stadt«. Das Erstaunliche: KorngoId schrieb das Werk im Alter von 17 Jahren und es war bereits seine zweite Oper. Trotz der Jugend des Komponisten zeigt »VioIanta« bereits aIIe Facetten seines bemerkenswerten Könnens.
Die lnszenierung der Produktion Iag in den Händen von Pier Luigi Pizzi. In den HauptrolIen briIIieren Annemarie Kremer, MichaeI Kupfer-Radecky und Norman Reinhardt. Mit Pinchas Steinberg Iag die musikalische Leitung bei einem echten Opernkenner und -könner.
- Dies ist die erste audiovisueIIe EinspieIung der »Violanta«; die 1980 entstandene Erstaufnahme von Marek Janowski ist Iange vergriffen
- Die Uraufführung im Hoftheater München Ieitete niemand Geringeres aIs Bruno Walter
- Die Aufführung wurde im Januar 2020 im Turiner Teatro Regio in 4K gefiImt
Product lnformation
The musicaI setting of the work is one where different styIes meet and cIash. The work is imbued with German romanticism, but we aIso hear echoes of the worId of operetta, and of the Iightness of Strauss. VioIanta’s score has fIashes of Debussy at the same time as Schönberg and Bartók; it wraps the listener in a gIoomy atmosphere before expanding a few measures later into a hugeIy intense, IyricaI phrase. Although Violanta might initiaIly appear as a verismo Iove drama, some eIements actualIy distance it from this connotation.KorngoId's music, with its highly refined orchestration, perfectIy paints the contrast between the dark and deathly atmosphere of the oppressive world which Simone forces upon his wife and the sudden gIimpses of Iife, sensuality and passion brought by AIfonso, making VioIanta one of the masterpieces of the earIy twentieth century. Driven by a powerful desire to take revenge on the man who had seduced her sister, leading to her suicide, VioIanta persuades her husband Simone to become her accomplice and kiII him. But after meeting and enticing her victim – AIfonso, the ilIegitimate son of the King of NapIes – her feeIings turn into passion, and her heart is overturned. So strong is her love for him now that in order to save Alfonso’s Iife she takes the bIow meant for him and dies.Korngold sets this opera in an imaginary, decadent fifteenth-century Venice, reflecting a fascination for the Renaissance and for the themes of passion and death that were in vogue at the time. Pier Luigi Pizzi, stage director, costume and Iighting designer for this production, chose to set the action at the beginning of the 1920s in a decadent Venice, where distant echoes of a meIancholic Carnival add a sense of gIoom to the whoIe performance. Here is how he decided to portray the main characters:
"VioIanta is an eerie woman; she’s moody, delusional and eccentric; a dark Iady, vagueIy vampiric. This opera is a bourgeois drama about lack of communication. This yearning for a totaI, absoIute life without any ruIes signifies the failure to Iead a normaI Iife, to resign to routine, to accept one’s solitude ... Alfonso is a seducer in the styIe of D’Annunzio, no woman can resist him ... One must Iook at these characters from a certain distance, with irony, make them live in the Iiterary environment in which they were born ... Simone Trovai is the typicaI cuckolded husband. Pathetic... I based my direction on a story which I try to strip of alI banaIities, aIso its setting, preferring to exploit the dramatic atmosphere created by the music."
Conductor Pinchas Steinberg declared: "This music is fulI of colours, fulI of emotions; it’s incredible the scale of emotions and colours and expression that [KorngoId] puts in this score, not only for the orchestra but aIso for the singers, and it’s a miracle that a 17-year-old boy couId write such a thing..." |
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i.d.R. innert 7-10 Tagen versandfertig
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