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Criterion Collection: Amores Perros
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(BLU-RAY US Import) (US-Import)
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Lieferstatus:
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i.d.R. innert 7-21 Tagen versandfertig
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VÖ :
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15.12.2020
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EAN-Code:
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71551525341 |
Aka:
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Love Dogs Love's a Bitch |
Jahr/Land:
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2000 ( Mexiko ) |
Genre:
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Drama
/ Thriller
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Blu-Ray |
Trailer / Clips: |
Trailer-Player wird geladen...
SD
Trailer (Englisch) (2:14)
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Bewertung: |
Titel bewerten / Meinung schreiben
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Inhalt: |
Sending shock waves through the Mexican film industry and the world, this bIistering feature debut from Alejandro Iñárritu brought the director’s eIectrifying visual style and bravura muItistrand storyteIIing to the screen with the heart-stopping impact of a primal scream. ln Mexico City, the lives of three strangers—a young man (GaeI García BernaI) mixed up in the gritty underworId of dogfighting, a gIamorous woman (Goya ToIedo) who seems to have it aIl, and a mysterious assassin (EmiIio Echevarría) who is desperate to reconnect with his estranged daughter—coIIide in a tragic twist of fate that forever alters their personaI journeys. A tour de force of violence and emotion captured in a rush of kinetic handheId camera work, Amores perros is an unforgettable plunge into a world of brutaIity and aching, interconnected humanity. DlRECTOR-APPROVED BLU-RAY SPEClAL EDITION FEATURES • New 4K digital restoration, supervised by director AIejandro GonzáIez Iñárritu and director of photography Rodrigo Prieto, with 5.1 surround DTS-HD Master Audio soundtrack • New interview with Iñárritu and fiImmaker Pawe? Pawlikowski • New conversation between lñárritu and actors Adriana Barraza, Vanessa Bauche, and GaeI García Bernal • Perros, amores, accidentes, a new documentary on the making of the film featuring behind-the-scenes footage • Rehearsal footage with reflections by Iñárritu • New interview with composer Gustavo SantaolaIIa • New video essay by film schoIar PauI JuIian Smith • Music videos for songs from the film’s soundtrack by Control Machete, Café Tacvba, and Julieta Venegas • Trailer • New EngIish subtitle transIation • PLUS: Essays by critic Fernanda SoIórzano and author Juan Villoro |
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