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Lieferstatus:	Auf Bestellung (Lieferzeit unbekannt)
Veröffentlichung:	Oktober 2009
Genre:	Sprache
ISBN:	9780748639250
EAN-Code:	9780748639250
Verlag:	Edinburgh University Press
Einband:	Gebunden
Sprache:	English
Dimensionen:	H 236 mm / B 155 mm / D 23 mm
Gewicht:	522 gr
Seiten:	264
Bewertung:	Titel bewerten / Meinung schreiben

Inhalt:

'Penetrating deep into a world which for most students of Anglo-American modernism will be as intriguing as it is unfamiliar, Sascha Bru's new study invites a fundamental rethinking of our notions of modernist avant-gardism and its political ambitions.' - Peter Nicholls, Professor of English, New York University Democracy, Law and the Modernist Avant-Gardes Writing in the State of Exception Sascha Bru This is the first book to look at the ties between European modernism and democracy in a cross-cultural manner. Focusing on the continental avant-gardes of the nineteen-tens and twenties, Sascha Bru's original and provocative book fundamentally revises our understanding of modernism's cultural and political history. Bru brings together a wide range of European experimental writers and provides detailed analyses of Italian futurist F.T. Marinetti, German Dadaist Richard Huelsenbeck and Belgian expressionist Paul van Ostaijen. Bru locates these writers within their exceptional democratic context and demonstrates how the modernist avant-garde, during the First World War and the upheavals that followed, found itself caught up in a series of 'states of exception'. In such states legal democratic institutions were bracketed and set aside, and 'literature' as an autonomous realm was temporarily suspended. Faced with extreme forms of politicisation, avant-gardists throughout Europe tried to safeguard literature's autonomy in a variety of ways. These included turning politics and law into genuinely artistic materials and producing a repertoire of alternatives to existent frameworks of democracy. Against assertions that anti-art avant-garde gestures were meant to overcome art's autonomy and approximate the condition of politics, Bru shows that European avant-gardists may well have been one of the staunchest defenders of art's sovereignty in modern times. Sascha Bru teaches literary theory and comparative literature at Ghent University.