As a poetic genre, the American sublime helped to produce the subject and site of American subjection as sublime. At least that will be one of my overall claims. Yet how does one stand, within a poststructural context of deconstruction and disbelief, to behold 'The American Sublime' as a communal construct of self and national empowerment that may never have been there except as a function of those vulgarly American contexts and beliefs?
i.d.R. innert 14-24 Tagen versandfertig
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