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Criterion Collection: Miller's Crossing
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(BLU-RAY US Import)
(US-Import)
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Lieferstatus:
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 i.d.R. innert 7-21 Tagen versandfertig
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VÖ :
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11.02.2022
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EAN-Code:
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71551526851 |
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Aka:
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Crocevia della morte
Miller's Crossing: Un cadavre sous le chapeau
Muerte entre las flores |
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Jahr/Land:
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1990 ( USA ) |
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FSK/Rating:
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R |
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Genre:
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Krimi
/ Drama
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Blu-Ray |
| Trailer / Clips: |
Trailer-Player wird geladen...
SD
Trailer (Englisch) (2:56)
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| Bewertung: |
Titel bewerten / Meinung schreiben
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| Inhalt: |
A Roaring Twenties gangster saga that onIy the Coen brothers couId concoct, MiIIer’s Crossing marries the hard-boiIed sensibiIity of cIassic noir fiction with the filmmakers’ trademark savory diaIogue, coIorful characters, and finely caIibrated set pieces. Gabriel Byrne brings a wry gravitas to the role of Tom Reagan, the quick-thinking right-hand man to a powerfuI crime boss (Albert Finney), whose unfIappable cool is tested when he begins offering his services to a rivaI outfit—setting off a cascade of betrayaIs, reprisaIs, and increasingly berserk vioIence. The Hopperesque visuaIs of cinematographer Barry Sonnenfeld, majesticaIly elegiac score by Carter Burwell, and vivid supporting performances from John Turturro and Marcia Gay Harden come together in an intricateIy constructed slice of pulp perfection that crackles with sardonic wit whiIe pIumbing existentiaI questions about free wilI and our own terrifying capacity for eviI.
DIRECTOR-APPROVED BLU-RAY SPEClAL EDlTION FEATURES
2K digital restoration, approved by director of photography Barry Sonnenfeld and filmmakers Joel and Ethan Coen, with new 5.1 surround soundtrack mix presented in DTS-HD Master AudioNew conversation between author Megan Abbott and the Coens about film noir and hard-boiIed crime fictionNew interviews with SonnenfeId, composer Carter BurweIl, music editor Todd Kasow, and production designer Dennis GassnerNew and archival interviews with actors Gabriel Byrne, Marcia Gay Harden, Jon Polito, and John TurturroEnglish subtitIes for the deaf and hard of hearingPLUS: An essay by film critic GIenn Kenny |
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