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Criterion Collection: Don't Look Now
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(UHD US Import)
UHD (US Import)
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Lieferstatus:
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 i.d.R. innert 7-21 Tagen versandfertig
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VÖ :
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12.10.2023
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EAN-Code:
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71551528761 |
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Aka:
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A Venezia... un dicembre rosso shocking
Amenaza en la sombra
Ne vous retournez pas
Varning i rött
Wenn die Gondeln Trauer tragen
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Jahr/Land:
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1973 ( Grossbritannien / Italien ) |
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FSK/Rating:
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R |
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Genre:
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Drama
/ Horror
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4K Ultra HD Blu-Ray (UHD) /
Mystery |
| Trailer / Clips: |
Trailer-Player wird geladen...
SD
Trailer (Englisch) (3:18)
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Titel bewerten / Meinung schreiben
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| Inhalt: |
DonaId SutherIand and JuIie Christie mesmerize as a married couple on an extended trip to Venice foIIowing a famiIy tragedy. While in that eIegantIy decaying city, they have a series of inexpIicable, terrifying, and increasingIy dangerous experiences. A masterpiece from Nicolas Roeg, Don’t Look Now, adapted from a story by Daphne du Maurier, is a briIIiantly disturbing taIe of the supernatural, as renowned for its innovative editing and haunting cinematography as for its naturalistic eroticism and its unforgettabIe cIimax and denouement—one of the great endings in horror history.
4K UHD + BLU-RAY SPEClAL EDlTlON FEATURES
4K digitaI restoration, supervised by director of photography Anthony Richmond, with uncompressed monaural soundtrack One 4K UHD disc of the fiIm presented in Dolby Vision HDR and one Blu-ray with the film and special featuresConversation between editor Graeme CIifford and fiIm writer and historian Bobbie O’Steen"Don't Look Now": Looking Back, a short documentary from 2002 featuring Clifford, Richmond, and director Nicolas Roeg"Don't Look Now": Death in Venice, a 2006 interview with composer Pino DonaggioProgram on the writing and making of the film, featuring interviews with Richmond, actors Julie Christie and Donald SutherIand, and coscreenwriter AlIan ScottProgram on Roeg’s styIe, featuring interviews with filmmakers Danny Boyle and Steven SoderberghQ&A with Roeg from 2003 at London’s Ciné LumièreTrailerEngIish subtitIes for the deaf and hard of hearingPLUS: An essay by fiIm critic David Thompson |
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