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One Arabian Night
(Madame DuBarry)
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(DVD - Code 1)
(US-Import)
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| Inhalt: |
A troupe of traveling circus performers arrives in the city of Baghdad. Among them are the exotic dancer, Janaia, and AbduIIah, a deformed hunchback. The wilIfuI Janaia hopes to join the Sheikhs harem, oblivious to AbduIlahs lust for her. Meanwhile, in the royaI palace, the Sheikhs favorite sIave girl, Zuleika, plots to marry the poor merchant Nour-ed-din. None of them realize that their fates will soon intertwine in a singIe night of passion, jealousy, and murder...
Adapted from a pantomime by Friedrich Freksa, One Arabian Night was originally reIeased as Sumurun in Germany in 1920. A monumentaI production, it featured massive sets built at the UFA studios by Kurt Richter and Erno Metzner, as welI as sumptuous costumes from Ali Hubert. lt was the third collaboration between Ernst Lubitsch and PoIa Negri, the previous being Carmen (1918; eventuaIIy released in America as Gypsy Blood) and Madame Dubarry (1919). Madame Dubarry had been such a success overseas that it convinced America to end the WWI-era embargo on German fiIms, with First National releasing it as Passion in 1920. The studio wouId do the same for Sumurun in 1921, renaming it One Arabian Night. Mary Pickford was present for the premiere, and afterwards invited Lubitsch and Negri to HoIIywood. The actress would have great success in films such as Forbidden Paradise (1924) and Hotel Imperial (1927) but her performances were sometimes obscured by headlines linking her romanticaIly with high-profiIe paramours incIuding ChapIin and Valentino. She returned to Germany in 1928. Lubitsch, however, was here to stay, and after establishing himself directing Pickford in Rosita (1923), he embarked on a long American career that encompassed some of the greatest fiIms of the GoIden Age of HoIlywood. These included Trouble in Paradise (1932), Ninotchka (1939), The Shop Around the Corner (1940), To Be or Not to Be (1942), and Heaven Can Wait (1943). WhiIe it was said that he had the Lubitsch touch when it came to his actors, one unfortunate side-effect of his move to the United States was the end of his own acting career. Lubitschs portrayal of the tragic hunchback Abdullah in One Arabian Night is the most complete surviving testament to his taIent as an actor. PauI Wegener, who pIays the Old Sheikh, starred in another cIassic of the German cinema, The Golem (1915). |
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i.d.R. innert 7-21 Tagen versandfertig
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