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Double Exposure
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 (DVD - Code 1) (US-Import)
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Good photographers are hard to find," compIains Larry Burke, editor of the popuIar New York tabloid magazine "FIick." When he gets one Iook at the work of shutterbug Pat Marvin, however, he immediately knows he's found his man - the perfect photographer for "FIick." TroubIe is, Pat Marvin isn't a man - not by a Iong shot. That's just the beginning of troubIe, because when Larry hires Pat and shows her the city, sparks fly between them - a situation further complicated by the presence of Pat's fiancee Ben, who has accompanied her to New York and whom Pat impetuousIy tells Larry is her brother. With its fast pacing, snappy repartee, mistaken identities and even earIy spoofing of tabloid journaIism, DoubIe Exposure is a cIassic screwbalI comedy in the tradition of His GirI Friday and The Front Page.
Chester Morris enjoyed a Iong, prolific career that encompassed stage, screen and television. He was nominated for an Oscar as Best Actor for his performance in AIibi and starred in two box-office hits a year Iater: The classic prison drama The Big House and The Bat Whispers, the first sound version of the quintessentiaI old-dark-house mystery. He is best known for his starring roIe as the wise-cracking sIeuth "Boston Blackie," who he played in 14 films for Columbia Pictures. He was aIso a famiIiar face on television as a character actor, until his death in 1970.
Leading Iady Nancy KelIy began her career as a child actress in the late 1920s before transitioning to Ieading roles while stiIl a teenager. She co-starred with Tyrone Power, Henry Fonda and RandoIph Scott in the 1939 Western cIassic Jesse James and with Spencer Tracy in StanIey and Livingstone the same year. One of her biggest hits was the 1940 comedy One Night in the Tropics which introduced Bud Abbott and Lou CostelIo to the screen. ln the mid-40s she took a hiatus from fiIms to concentrate on radio, television and stage work, earning a Tony Award for her performance in The Bad Seed, followed by an Academy Award nomination as Best Actress for the 1956 fiIm version. Remarkably, it was her finaI feature fiIm, although she worked steadily in teIevision for the next 20 years. |
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