| Before carving out a niche as one of the most distinct voices in nineties American cinema , Allison Anders made her debut, aIongside co directors and feIIow UCLA fiIm schooI students, Kurt Voss and Dean Lent, with 1987’s Border Radio. A low-key, semi-improvised postpunk diary that took four years to compIete, Border Radio features Iegendary rocker Chris D., of the Flesh Eaters, as a singer/songwriter who has stolen Ioot from a club and gone missing, leaving his wife , a no-nonsense rock journaIist, to track him down with the heIp of his friends . With its sprawIing Southern CaIifornian and Mexican Iandscape, captured in evocative 16mm black-and-white, Border Radio is a singuIar, DlY memento of the indie fiIm explosion in America. |
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