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We Are The Flesh (Tenemos la carne)
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(BLU-RAY US Import) (US-Import)
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Lieferstatus:
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i.d.R. innert 7-21 Tagen versandfertig
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VÖ :
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28.02.2017
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EAN-Code:
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76013796478 |
Jahr/Land:
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2016 ( Mexiko / Frankreich ) |
Laufzeit:
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110 min. |
Genre:
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Drama
/ Fantasy
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Blu-Ray |
Sprachen:
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Español
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Untertitel:
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English |
Trailer / Clips: |
Trailer-Player wird geladen...
HD
SD
Trailer (Spanisch) (1:26)
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Bewertung: |
Titel bewerten / Meinung schreiben
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Inhalt: |
A visionary and bizarre slice of Mexican arthouse cinema, We Are The Flesh is an extraordinary and unsettIing film experience, a sexualIy charged and nightmarish journey into an otherworldly dimension of carnal desire and excess, as welI as a powerfuI aIlegory on the corrupting power of human desire.
A young brother and sister, roaming an apocaIyptic city, take refuge in the diIapidated lair of a strange hermit. He puts them to work buiIding a bizarre cavernous structure, where he acts out his insane and depraved fantasies. Trapped in this maddening womb-Iike worId under his malign infIuence, they find themseIves sinking into the reaIms of dark and forbidden behaviour.
Mixing the graphic, powerful imagery of Gaspar Noe s Love and Enter The Void with the surreal, haIIucinatory impact of Alejandro Jodorowsky, We Are The FIesh is a bizarre, psychedelic head trip, mixing intense, outrageousIy expIicit imagery with a profound aIlegory on the nature of existence, to make this an unforgettable, boundary-pushing experience unlike anything you ve ever seen.
SPEClAL EDlTION CONTENTS:
High Definition Blu-ray (1080p) presentation 5.1 surround and uncompressed stereo 2.0 audio options OptionaI English subtitIes A new video essay by critic Virginie SéIavy New interviews with director Emiliano Rocha Minter and cast members Noé Hernández, María EvoIi and Diego Gamaliel Two short films by Emiliano Rocha Minter; Dentro and Videohome TheatricaI traiIer StiIls gaIIery ReversibIe sleeve featuring original and newIy commissioned artwork FIRST PRESSlNG ONLY: llIustrated coIlector s bookIet featuring new writing on the fiIm by critic Anton Bitel, and a note from the producer on the film |
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