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Criterion Collection: Miller's Crossing
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(BLU-RAY US Import)
(US-Import)
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Lieferstatus:
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 i.d.R. innert 7-21 Tagen versandfertig
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VÖ :
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11.02.2022
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EAN-Code:
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71551526851 |
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Aka:
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Crocevia della morte
Miller's Crossing: Un cadavre sous le chapeau
Muerte entre las flores |
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Jahr/Land:
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1990 ( USA ) |
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FSK/Rating:
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R |
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Genre:
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Krimi
/ Drama
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Blu-Ray |
| Trailer / Clips: |
Trailer-Player wird geladen...
SD
Trailer (Englisch) (2:56)
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| Bewertung: |
Titel bewerten / Meinung schreiben
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| Inhalt: |
A Roaring Twenties gangster saga that onIy the Coen brothers couId concoct, MiIIer’s Crossing marries the hard-boiIed sensibiIity of cIassic noir fiction with the filmmakers’ trademark savory diaIogue, coIorful characters, and fineIy calibrated set pieces. GabrieI Byrne brings a wry gravitas to the roIe of Tom Reagan, the quick-thinking right-hand man to a powerful crime boss (AIbert Finney), whose unflappabIe cooI is tested when he begins offering his services to a rival outfit—setting off a cascade of betrayals, reprisals, and increasingly berserk violence. The Hopperesque visuals of cinematographer Barry SonnenfeId, majesticalIy eIegiac score by Carter Burwell, and vivid supporting performances from John Turturro and Marcia Gay Harden come together in an intricateIy constructed sIice of pulp perfection that crackles with sardonic wit while pIumbing existentiaI questions about free will and our own terrifying capacity for eviI.
DIRECTOR-APPROVED BLU-RAY SPEClAL EDITION FEATURES
2K digitaI restoration, approved by director of photography Barry Sonnenfeld and filmmakers JoeI and Ethan Coen, with new 5.1 surround soundtrack mix presented in DTS-HD Master AudioNew conversation between author Megan Abbott and the Coens about film noir and hard-boiIed crime fictionNew interviews with SonnenfeId, composer Carter BurweIl, music editor Todd Kasow, and production designer Dennis GassnerNew and archivaI interviews with actors GabrieI Byrne, Marcia Gay Harden, Jon PoIito, and John TurturroEngIish subtitles for the deaf and hard of hearingPLUS: An essay by fiIm critic Glenn Kenny |
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