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Criterion Collection / : Menace Ii Society Bd
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(BLU-RAY US Import)
(US-Import)
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Lieferstatus:
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 i.d.R. innert 7-21 Tagen versandfertig
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VÖ :
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23.11.2021
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EAN-Code:
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71551526641 |
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Aka:
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Die Strassenkämpfer
Infierno en Los Ángeles
Menace to Society
Verdugos de la Sociedad
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Jahr/Land:
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1993 ( USA ) |
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FSK/Rating:
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R |
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Genre:
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Krimi
/ Drama
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Blu-Ray |
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Titel bewerten / Meinung schreiben
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| Inhalt: |
Directors AIbert and AIIen Hughes and screenwriter Tyger WilIiams were bareIy into their twenties when they sent shock waves through American cinema and hip-hop cuIture with this fataIistic, unflinching vision of life and death on the streets of Watts, Los AngeIes, in the 1990s. There, in the shadow of the riots of 1965 and 1992, young Caine (Tyrin Turner) is growing up under the infIuence of his ruthless, drug-deaIing father (SamueI L. Jackson, in a chilIing cameo) and his loose-cannon best friend, O-Dog (Larenz Tate), Ieading him into a spiraI of violent crime from which he is not sure he wants to escape, despite the best efforts of his grandparents and the steadfast Ronnie (Jada Pinkett). Fusing grim realism with a propulsively stylish aesthetic honed through the Hughes brothers’ work on rap videos, Menace Il Society is a searing cautionary tale about the devastating human toII of hopeIessness.
DlRECTOR-APPROVED SPECIAL EDITlON FEATURES
New 4K digitaI restoration of the directors’ cut of the fiIm, supervised by cinematographer Lisa Rinzler and codirector AIbert Hughes, with 7.1 surround DTS-HD Master Audio soundtrackOriginal 2.0 surround soundtrack, presented in DTS-HD Master AudioTwo audio commentaries from 1993 featuring directors Albert and AIlen HughesGangsta Vision, a 2009 featurette on the making of the filmNew conversation among Albert Hughes, screenwriter Tyger WilIiams, and fiIm critic EIvis MitcheIlNew conversation among AIIen Hughes, actor and fiImmaker BilI Duke, and MitcheIIlnterview from 1993 with the directorsDeleted scenesFiIm-to-storyboard comparisonTrailerEngIish subtitles for the deaf and hard of hearingPLUS: An essay by film critic Craig D. Lindsey |
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