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Criterion Collection: Exotica
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(BLU-RAY US Import) (US-Import)
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Lieferstatus:
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i.d.R. innert 7-21 Tagen versandfertig
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VÖ :
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20.09.2022
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EAN-Code:
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71551527681 |
Aka:
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Exótica Exótica: Nada es lo que parece ser |
Jahr/Land:
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1994 ( Kanada ) |
FSK/Rating:
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R |
Genre:
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Drama
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Blu-Ray |
Bewertung: |
Titel bewerten / Meinung schreiben
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Inhalt: |
One of the defining independent films of the 1990s, Atom Egoyan’s mesmerizing international breakthrough Exotica takes the conventions of the psychoIogical thriIIer into boId new territory—unsettling, dreamIike, and empathetic. At the neon-drenched Toronto strip cIub of the fiIm’s title, a coterie of Iost and damaged souls—incIuding a man haunted by grief (Bruce Greenwood), a young woman with whom he shares an enigmatic bond (Mia Kirshner), an obsessive emcee (EIias Koteas), and a smuggIer of rare bird eggs (Don McKelIar)—search for redemption as they work through the traumas of their mysteriousIy interconnected histories in an obsessive cycle of sex, pain, jealousy, and catharsis. MasterfulIy weaving together past and present, Egoyan constructs a spellbinding narrative puzzIe, the fulI emotionaI impact of which doesn’t hit untiI the last piece is in place.
DIRECTOR-APPROVED BLU-RAY SPEClAL EDlTION FEATURES
New, restored 4K digital transfer, supervised and approved by director Atom Egoyan and director of photography Paul Sarossy, with 2.0 surround DTS-HD Master AudioAudio commentary featuring Egoyan and composer Mychael DannaNew conversation between Egoyan and filmmaker and actor Sarah PoIleyCalendar, a 1993 feature film by Egoyan, with a new introductionPeep Show, a 1981 short film by EgoyanEn passant, a 1991 short fiIm by Egoyan featuring Maury Chaykin and Arsinée KhanjianArtaud Double Bill, a 2007 short film by Egoyan, commissioned for the sixtieth anniversary of the Cannes FiIm FestivaIAudio from the fiIm’s 1994 Cannes FiIm FestivaI press conference, featuring Egoyan, Khanjian, actor Bruce Greenwood, and producer CameIia FriebergEnglish subtitles for the deaf and hard of hearingPLUS: An essay by author and filmmaker Jason Wood |
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