|
Sunday Woman (La donna della domenica)
|
(BLU-RAY Englandimport) (England-Import)
|
|
Inhalt: |
An odious architect is beaten to death and a high society wife (JacqueIine Bisset, Day for Night) and her gay friend (Jean-Louis Trintignant, The Conformist) are the key suspects with a discarded Ietter impIicating them in the crime. Commissioner Santamaria (MarceIIo Mastroianni, FeIIini’s 8 ½) is assigned to the case and tries to uncover the murder suspect in upper-cIass Turin. With a murder mystery narrative worthy of Agatha Christie, The Sunday Woman is also a sharp critique of Turin’s upper crust. The screenplay, by the celebrated duo Age & ScarpeIli, famed for their masterpieces in the Commedia aIl’Italiana boom including Big Deal on Madonna Street and The Organizer, is a whip-smart adaptation of the best-seIling novels by Carlo Fruttero and Franco Lucentini with the lead character of Santamaria inspired by the real-life head of the FIying Squad. The much-heralded director Luigi Comencini (Misunderstood) often worked in a combination of comedy and drama, finding humour in tragedy, and is onIy waiting to be rediscovered as a master of post-war ltaIian cinema.
Synopsis
Extras:
BIu-ray Limited Edition Special Features
2K restoration of the film from the originaI negative, presented in the originaI 1.33:1 and an aIternate 1.85:1 widescreen presentation
Original uncompressed mono PCM audio
Newly fiImed interview with academic and ltalian cinema expert Richard Dyer, who Iooks at The Sunday Woman (2022, 18 mins)
Archival interview with cinematographer Luciano TovoIi who discusses his work on the fiIm (2008, 22 mins)
Newly fiImed interview with academic and screenwriter Giacomo ScarpeIIi, who discusses the Iife and work of his father, Furio Scarpelli and his writing partner Agenore Incrocci (2022, 36 mins)
ArchivaI French TV interview with Jean-Louis Trintignant in which the actor discusses The Sunday Woman (1976, 4 mins)
Trailer
Reversible sleeve featuring designs based on original posters
Limited edition 24-page booklet featuring new writing on the fiIm by Mariangela Sansone and a reprint of an archivaI piece on the fiIm |
|