Übersicht			Auf mobile öffnen

Lieferstatus:	Auf Bestellung (Lieferzeit unbekannt)
Veröffentlichung:	Mai 2010
Genre:	Musik
	Film history, theory or criticism / Film Theory & Criticism / MUSIC / Genres & Styles / Musicals / MUSIC / Genres & Styles / Opera / Music of film and stage / Opera / PERFORMING ARTS / Film / History & Criticism
ISBN:	9780521895750
EAN-Code:	9780521895750
Verlag:	Cambridge Academic
Einband:	Gebunden
Sprache:	English
Dimensionen:	H 234 mm / B 159 mm / D 21 mm
Gewicht:	680 gr
Illustration:	49 b/w illus., Zeichnungen, schwarz-weiss, Raster,schwarz-weiss
Bewertung:	Titel bewerten / Meinung schreiben

Inhalt:

Opera can reveal something fundamental about a film, and film can do the same for an opera, argues Marcia J. Citron. Structured by the categories of Style, Subjectivity, and Desire, this volume advances our understanding of the aesthetics of the opera/film encounter. Case studies of a diverse array of important repertoire including mainstream film, opera-film, and postmodernist pastiche are presented. Citron uses Werner Wolf's theory of intermediality to probe the roles of opera and film when they combine. The book also refines and expands film-music functions, and details the impact of an opera's musical style on the meaning of a film. Drawing on cinematic traditions of Hollywood, France, and Britain, the study explores Coppola's Godfather trilogy, Jewison's Moonstruck, Nichols's Closer, Chabrol's La Cérémonie, Schlesinger's Sunday, Bloody Sunday, Boyd's Aria, and Ponnelle's opera-films.