"Gertz explores what she terms the iconic myth of fame in three central works from the late medieval period in English and French. Relying on her firm command of medieval rhetorical theory and current semiotic theory, and with a broad range of primary works in the Middle Ages, she analyses narratives in the Fürstenspiegel, or mirror for princes, tradition. Separate chapters delve into depiction of fame in the past, problematic issues arising in the present and future promise of fame. The approach and methodology provide in-depth readings of written and visual sources that are a model for study of the important, but chaotic, fourteenth and fifteenthcenturies. The book makes, therefore, a fundamental contribution to the growing interest in late medieval literature, especially in French." - Douglas Kelly, Professor Emeritus of French and Medieval Studies, University of Wisconsin-Madison

"This is a remarkable, far-reaching, mature work by a profoundly learned scholar. It investigates the links between narrative, visual communication, performance, power, political leadership and fame, bringing contemporary semiotic theory, reflections on contemporary political practices, and the lessons of medieval mirrors of princes to bear on the careers, performances, and writings of three immensely significant figures of the later Middle Ages. It should be of great interest to a wide range of medievalists. It is a truly original and thought-provoking book." - Jeff Rider, Professor of Romance Languages & Literatures, Chair of the Medieval Studies program, Wesleyan University