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Autor(en): 
  • Elizabeth Ramírez-Soto
  • (Un)veiling Bodies: A Trajectory of Chilean Post-Dictatorship Documentary 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 2 Artikel!


    Übersicht

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    Lieferstatus:   i.d.R. innert 7-14 Tagen versandfertig
    Veröffentlichung:  August 2021  
    Genre:  Architektur, Archäologie, Kunst 
    ISBN:  9781781884294 
    EAN-Code: 
    9781781884294 
    Verlag:  Legenda 
    Einband:  Kartoniert  
    Sprache:  English  
    Dimensionen:  H 244 mm / B 170 mm / D 13 mm 
    Gewicht:  412 gr 
    Seiten:  234 
    Zus. Info:  Paperback 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    Documentary plays an essential role in the struggles over memories of Latin America's dictatorial pasts. Ever since Chile's military coup of 11 September 1973, whether inside the country or in exile, filmmakers have passionately and incessantly documented, created, and reenacted memories from this traumatic event and its aftermath. (Un)veiling Bodies analyses the rich landscape of Chilean documentary during the first two decades after the restoration of civilian rule in 1990. Ramírez-Soto proposes a trajectory that shifts from revealing the bodies of direct victims to unveiling the body of the film itself. This is a journey deeply intertwined with the country's own democratic transition. Informed by the affective turn in film studies, this book offers a novel approach to this largely unexplored field of Chilean cinema by arguing that these heterogeneous works shift from a 'cinema of the affected' to a 'cinema of affect'. By doing so, these documentaries contribute to Chilean society's own restoration of the senses. Elizabeth Ramírez-Soto is Assistant Professor in the School of Cinema at San Francisco State University. Her articles have appeared in Quarterly Review of Film and Video, Rethinking History, and Journal of Latin American Cultural Studies. She is also the coeditor of Nomadías: El cine de Marilú Mallet, Valeria Sarmiento y Angelina Vázquez (2016).

      



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