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Autor(en): 
  • Brett Mills
  • The Sitcom 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 2 Artikel!


    Übersicht

    Auf mobile öffnen
     
    Lieferstatus:   i.d.R. innert 14-24 Tagen versandfertig
    Veröffentlichung:  September 2009  
    Genre:  Architektur, Archäologie, Kunst 
     
    ART / Popular Culture / Fernsehen, TV / LITERARY CRITICISM / General / PERFORMING ARTS / Television / History & Criticism / Pop Arts / Pop Culture
    ISBN:  9780748637515 
    EAN-Code: 
    9780748637515 
    Verlag:  Edinburgh University Press 
    Einband:  Gebunden  
    Sprache:  English  
    Serie:  TV Genres  
    Dimensionen:  H 216 mm / B 140 mm / D 15 mm 
    Gewicht:  340 gr 
    Seiten:  194 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    Even though sitcom has been a consistent staple of broadcasting the world over, rigorous academic work on it as a genre remains limited. This book examines sitcom as an industry in terms of production, audiences and texts, drawing on a range of examples and case studies in order to examine the genre's characteristics, social position, and pleasures. In highlighting this long-lasting and popular form of television, it offers insights into genre theory and explores how the comic aim of sitcom forms a central characteristic of the genre. Brett Mills takes a global view of sitcom, examining international examples as well as those produced by the more dominant British and American broadcasting industries, in order to explore the relationships between sitcom, nation, and identity. Sitcoms considered include Extras, My Family, Curb Your Enthusiasm, One Foot in the Grave, Peep Show, Summer Heights High, Popetown, and Friends. Key Features *Draws on original research into the television industry, incorporating interviews with sitcom writers, directors and producers *Includes research on audience responses to sitcom, with reference to offence, pleasure, and social change *Offers detailed textual analyses of a range of programmes, drawing on Humour Theory to explore the ways in which jokes and comic moments work *Outlines the future for sitcom, considering new media developments and the changing relationships between broadcasters and audiences

      
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