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Autor(en): 
  • Joanna Zylinska
  • The Perception Machine: Our Photographic Future between the Eye and AI 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 3 Artikel!


    Übersicht

    Auf mobile öffnen
     
    Lieferstatus:   Auf Bestellung (Lieferzeit unbekannt)
    Veröffentlichung:  November 2023  
    Genre:  Wirtschaft / Recht 
     
    Media Studies / PHOTOGRAPHY / Criticism / SOCIAL SCIENCE / Media Studies / Society & culture# general
    ISBN:  9780262546836 
    EAN-Code: 
    9780262546836 
    Verlag:  MIT Press 
    Einband:  Kartoniert  
    Sprache:  English  
    Dimensionen:  H 178 mm / B 152 mm / D 21 mm 
    Gewicht:  468 gr 
    Illustration:  31 BLACK AND WHITE ILLUS. 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    A provocative investigation of the future of photography and human perception in the age of AI.

    We are constantly photographing and being photographed while feeding machine learning databases with our data, which in turn is used to generate new images. Analyzing the transformation of photography by computation—and the transformation of human perception by algorithmically driven images, from CGI to AI—The Perception Machine investigates what it means for us to live surrounded by image flows and machine eyes. In an astute and engaging argument, Joanna Zylinska brings together media theory and neuroscience in a Vilém Flusser–Paul Virilio remix. Her “perception machine” names a technical universe of images and their infrastructures. But it also refers to a sociopolitical condition resulting from today’s automation of vision, imaging—and imagination.

    Written by a theorist-practitioner, the book incorporates Zylinska’s own art projects, some of which have been co-created with AI. The photographs, collages, films, and installations available as part of the book (and its companion website) provide a different mode of thinking about our technological futures, at a local as well as a planetary level. Offering provocative concepts such as eco-eco-punk, AUTO-FOTO-KINO, planetary micro-vision, loser images, and sensography, the book outlines an existential philosophy of messy media for a time when our practices of imaging and self-imaging are being radically redesigned. Importantly, it also offers a new vision of our future.

      



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