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Autor(en): 
  • David Thomson
  • The Fatal Alliance: A Century of War on Film 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 3 Artikel!


    Übersicht

    Auf mobile öffnen
     
    Lieferstatus:   Auf Bestellung (Lieferzeit unbekannt)
    Veröffentlichung:  November 2023  
    Genre:  Architektur, Archäologie, Kunst 
     
    FILM STUDIES# ART OF FILMMAKING / FILM STUDIES# HISTORY / HISTORY# Military / General / PERFORMING ARTS# Film & Video / History & Criticism / PERFORMING ARTS# Film / Genres / General
    ISBN:  9780063041417 
    EAN-Code: 
    9780063041417 
    Verlag:  Harper Collins (US) 
    Einband:  Gebunden  
    Sprache:  English  
    Seiten:  448 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:

    From one of the greatest living writers on film, a magisterial look at a century of battle depicted on screen, and a meditation on the twisted relationship between war and the movies.

    ?Thomson's own genius is his ability to remain one of the leading authorities on cinematic history, without shying away from the controversial. Cinephiles seeking provocative arguments will appreciate his work.??Library Journal

    In The Fatal Alliance the acclaimed film critic David Thomson offers us one of his most provocative books yet?a rich, arresting, and troubling study of that most beloved genre: the war movie. It is not a standard history or survey of war films, although Thomson turns his typically piercing eye to many favorites?from All Quiet on the Western Front to The Bridge on the River Kwai to Saving Private Ryan. But The Fatal Alliance does much more, exploring how war and cinema in the twentieth century became inextricably linked. Movies had only begun to exist by the beginning of World War I, yet in less than a century, had transformed civilian experience of war?and history itself?for millions around the globe. This reality is the moral conundrum at the heart of Thomson's book. War movies bring both prestige and are so often box office blockbusters; but is there something problematic at how much moviegoers enjoy depictions of violence on a grand scale, such as Apocalypse Now, Black Hawk Down, or even Star Wars? And what does this truth say about us, our culture, and our changing sense of warfare and the past?

      
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