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Autor(en): 
  • Paolo Sigismondi
  • The Digital Glocalization of Entertainment: New Paradigms in the 21st Century Global Mediascape 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 3 Artikel!


    Übersicht

    Auf mobile öffnen
     
    Lieferstatus:   Auf Bestellung (Lieferzeit unbekannt)
    Veröffentlichung:  Oktober 2013  
    Genre:  Wirtschaft / Recht 
     
    B / Business and Management / Industrial Management / Management science / Marketing / Media Management / Media Studies
    ISBN:  9781461429722 
    EAN-Code: 
    9781461429722 
    Verlag:  Springer Nature EN 
    Einband:  Kartoniert  
    Sprache:  English  
    Serie:  #03 - The Economics of Information, Communication, and Entertainment  
    Dimensionen:  H 235 mm / B 155 mm / D  
    Gewicht:  242 gr 
    Seiten:  138 
    Zus. Info:  Previously published in hardcover 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    In this volume, Paolo Sigismondi explores the dynamics of global media and entertainment, specifically analyzing the implications of the global rise of non-scripted entertainment (as reality TV programs) and the impact and consequences of the Information and Communication Technology (ICT) revolution on the content, delivery platforms, and overall business models of the media and entertainment landscape. This work aims at bridging the gap between media theories and industry practices in a rapidly evolving global mediascape, building on scholarship in the field and enriched by case studies and insights from business practice.

    This work demonstrates that the paradigms of the landscape are shifting, introducing the digital "glocalization" of entertainment, through which successful media crossing national and cultural borders incorporate both global and local features.

    Key questions raised include:

    • Is the ICT revolution an example of disruptive technology for the global media and entertainment industry?
    • Is the existing status quo challenged, and in, particular Hollywood's global leadership?
    • What are the global entities emerging as Hollywood's main competitors in this technologically evolving landscape?


    Sigismondi argues that as new players are entering the field, new threats to Hollywood's dominance are emerging. The global leaders in non-scripted entertainment, for example, are European-based global entities operating outside the Hollywood system. Meanwhile, the ICT revolution is modifying the contours and boundaries of the global mediascape. Sigismondi's approach provides unique insight into how the forces of technology and globalization are transforming television,cinema, and online entertainment.

      
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     The Digital Glocalization of Entertainment: New Pa - (Buch)
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