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Autor(en): 
  • John Boardman
  • Diana Scarisbrick
  • Claudia Wagner
  • The Beverley Collection of Gems at Alnwick Castle 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 3 Artikel!


    Übersicht

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    Lieferstatus:   Auf Bestellung (Lieferzeit unbekannt)
    Veröffentlichung:  November 2016  
    Genre:  Architektur, Archäologie, Kunst 
     
    18th century, c 1700 to c 1799 / Antiques & collectables# jewellery / ART / European / ART / History / General / C 1700 To C 1800 / Europe / Exhibition catalogues & specific collections / Exhibition catalogues and specific collections / History of Art / History of art & design styles# c 1600 to c 1800 / Northumberland, Tyne and Wear
    ISBN:  9781781300442 
    EAN-Code: 
    9781781300442 
    Verlag:  I.B. Tauris 
    Einband:  Gebunden  
    Sprache:  English  
    Serie:  The Philip Wilson Gems and Jewellery Series  
    Dimensionen:  H 248 mm / B 197 mm / D 25 mm 
    Gewicht:  1629 gr 
    Seiten:  352 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    The Beverley Gem Collection at Alnwick Castle is one of the most distinguished in Great Britain still in private hands. Alnwick Castle, ancestral seat of the Earls of Northumberland - and the House of Percy - was built as a border fortress against the Scots in the twelfth century, if not earlier. Substantially enlarged in the fourteenth and fifteenth centuries, and remaining in Percy family hands to this day, it stands now as a prime example of robust stone defensive architecture. Much visited and admired for its impressive exterior, this dramatic stronghold and stately home is the setting for this collection. The Beverley Collection reflects the longstanding interest of the English nobility in both accumulating and commissioning gemstones. The Collection was begun by the First Duchess of Northumberland in the early eighteenth century; but the greater part of it was made later in the century by Algernon Percy, First Earl of Beverley, during a tour of Europe while in the company of his mentor, Louis Dutens. Their success in France and Italy was such that it incited the jealousy of the Empress Catherine of Russia, herself a passionate collector. The range of objects - cameos, intaglios and finger rings of the highest quality - is considerable: Greek, Roman and Etruscan, as well as a notable assemblage of neoclassical signed gems by British artists. One jewel clearly provided inspiration for Michelangelo's painting of Adam on the Sistine Chapel ceiling. The Collection has been little known, except by connoisseurs, but this volume brings to the attention of a broader audience many of the finest products of one of the oldest arts of the western world.
      



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