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Autor(en): 
  • Edward Blakeman
  • Taffanel: Genius of the Flute 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 3 Artikel!


    Übersicht

    Auf mobile öffnen
     
    Lieferstatus:   Auf Bestellung (Lieferzeit unbekannt)
    Veröffentlichung:  August 2005  
    Genre:  Musik 
    ISBN:  9780195170993 
    EAN-Code: 
    9780195170993 
    Verlag:  Oxford University Press 
    Einband:  Kartoniert  
    Sprache:  English  
    Dimensionen:  H 159 mm / B 234 mm / D 16 mm 
    Gewicht:  1 gr 
    Seiten:  352 
    Illustration:  numerous half tones 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    The French flute player and conductor Paul Taffanel (1844-1908) was an extraordinary virtuoso and a major figure in fin de siecle Parisian musical life. Based on a treasure trove of private documents of Taffanel's previously unpublished letters and papers, Taffanel: Genius of the Flute
    recounts the rich story of his multi-faceted career as a player, conductor, composer, teacher, and leader of musical organizations.
    As a player, Taffanel had a rare vision of the flute as a serious, expressive instrument and is credited with re-establishing it in the mainstream of music. He was also an inspiring teacher at the Paris Conservatoire, to whom many modern flutists can trace their roots. In 1879, Taffanel founded the
    Societe de musique de chambre pour instruments a vent (Society of Chamber Music for Wind Instruments), reviving the wind ensemble music of Mozart and Beethoven, and breaking the dominance of piano and strings in recital and chamber music. From 1890, he served as chief conductor at the Paris Opera
    and the Societe des Concerts du Conservatoire (Paris Conservatory Orchestra)--the first time a flutist, rather than a string player, had been appointed to such key positions.
    Edward Blakeman expertly places these and many other elements of Taffanel's story in the rich political and cultural backdrop of the time, evoking Conservatoire intrigues, the Societe des concerts, and Taffanel's relationships with various musicians and major composers. Blakeman details the
    circumstances surrounding landmark commissions, performances, and repertoire, and weaves the details from Taffanel's correspondence with first-person interviews and flute lore. What emerges is a portrait of anall-around musician who was also a modest and genial man.

      
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