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Herausgeber: 
  • Matthew Feldman
  • Erik Tonning
  • David Addyman
  • Samuel Beckett and BBC Radio: A Reassessment 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 3 Artikel!


    Übersicht

    Auf mobile öffnen
     
    Lieferstatus:   Auf Bestellung (Lieferzeit unbekannt)
    Veröffentlichung:  Mai 2018  
    Genre:  Sprache 
     
    B / British and Irish Literature / British literature / Literary History / Literature / Literature# history & criticism / Literature, Cultural and Media Studies / Literature, Modern—20th century / Literature—History and criticism / Twentieth-Century Literature
    ISBN:  9781349957361 
    EAN-Code: 
    9781349957361 
    Verlag:  Springer Nature EN 
    Einband:  Kartoniert  
    Sprache:  English  
    Serie:  New Interpretations of Beckett in the Twenty-First Century  
    Dimensionen:  H 210 mm / B 148 mm / D  
    Gewicht:  425 gr 
    Seiten:  308 
    Zus. Info:  Previously published in hardcover 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    This book is the first sustained examination of Samuel Beckett's pivotal engagements with post-war BBC radio. The BBC acted as a key interpreter and promoter of Beckett's work during this crucial period of his "getting known" in the Anglophone world in the 1950s and 1960s, especially through the culturally ambitious Third Programme, but also by the intermediary of the house magazine, The Listener. The BBC ensured a sizeable but also informed reception for Beckett's radio plays and various "adaptations" (including his stage plays, prose, and even poetry); the audience that Beckett's works reached by radio almost certainly exceeded in size his readership or theatre audiences at the time. In rethinking several key aspects of his relationship with the BBC, a mix of new and familiar Beckett critics take as their starting point the previously neglected BBC radio archives held at the Written Archive Centre in Caversham, Berkshire. The results of this extended reassessment are timely and, in many cases, quite surprising for readers of Beckett and for scholars of radio, "late modernism," and post-war British culture more broadly.

      
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