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Autor(en): 
  • Brian Woolland
  • Revival: Jonsonians: Living Traditions (2003) 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 3 Artikel!


    Übersicht

    Auf mobile öffnen
     
    Lieferstatus:   Auf Bestellung (Lieferzeit unbekannt)
    Veröffentlichung:  Juni 2017  
    Genre:  Soziologie 
    ISBN:  9781138710689 
    EAN-Code: 
    9781138710689 
    Verlag:  Taylor and Francis 
    Einband:  Gebunden  
    Sprache:  English  
    Dimensionen:  H 234 mm / B 156 mm / D  
    Gewicht:  453 gr 
    Seiten:  262 
    Illustration:  Farb., s/w. Abb. 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    This title was first published in 2003. "Jonsonians" explores the theatrical traditions within which Ben Jonson was working, investigates the ways in which his work has influenced and informed the development of theatre from the early 17th century to the present day, and examines Jonson's theatre in relation to 20th- and 21st-century traditions of performance. It argues that although Jonsonian traditions are rarely acknowledged, they are vibrant and powerful forces that are very much alive today in the theatre of writers and directors as diverse as Caryl Churchill, David Mamet, Spike Lee, John Arden, Alan Ayckbourn and Peter Barnes. The book opens with essays on "Poetaster", "Sejanus", "Bartholomew Fair", "The New Inn" and "The Magnetic Lady" - each of which interrogates, in a variety of ways, the notion of "Jonsonian" theatre and considers the relationships of Jonson's theatre to classical traditions, to his contemporaries in England and Europe, and to modern performance practice and theory. The second section of the book includes essays on "The Sons of Ben" (including Richard Brome) Aphra Behn and "Daughters of Ben" (women working in the theatre in the post-Restoration period). The book concludes with an extensive section devoted to modern day Jonsonians, exploring how reading their work as Jonsonian might alter perceptions of contemporary theatre, and how seeing them as contemporary "Jonsonians" might affect our understanding of Jonson's theatre.

      
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