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Autor(en): 
  • Ron Silliman
  • Revelator 
     

    (Buch)

    Übersicht

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    Lieferstatus:   Auf Bestellung (Lieferzeit unbekannt)
    Veröffentlichung:  Oktober 2013  
    Genre:  Sprache 
    ISBN:  9781927040812 
    EAN-Code: 
    9781927040812 
    Verlag:  Book*hug Press 
    Einband:  Kartoniert  
    Sprache:  English  
    Serie:  Book Thug Tradebooks  
    Dimensionen:  H 198 mm / B 150 mm / D 5 mm 
    Gewicht:  113 gr 
    Seiten:  96 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    Poetry. "Revelator" is the opening poem in a major sequence entitled Universe. It's the jumping off point for a work that, were Ron Silliman to live long enough, would take him three centuries to complete. We are hopeful. Universe is a poem of globalization and post-global poetics (an important reason for publishing this key section outside of the USA). At its core, it addresses the problem that there are only two global systems: the biosphere and capital, while every response to these global systems is invariably local. The first appearance of "Revelator" in a journal won Poetry's Levinson prize, previously given to poets such as Robert Creeley, Theodore Roethke, Geoffrey Hill, John Ashbery, Robert Duncan, Basil Bunting, William Carlos Williams, Dylan Thomas, Hart Crane, Robert Frost, and Wallace Stevens.

    "Called a 'thaumaturge' ('wonder-worker') by the poet Robert Duncan, Silliman has created a new kind of writing from the simplest materials ... The poet confides, describes, extols, remarks, puns, paints domestic scenes, slyly alludes, records minutiae, leaps to large statements, arouses, repeats. Through it all, a friendly, northern California sort of personality emerges."--David Melnick

    "What I find most striking about Silliman's sentences is that they're fun; they give pleasure in many different ways, through their wit, their allusiveness, their visuality, their phonetic texture, their descriptive precision, or their sheer unlikeliness."--Roger Gilbert

    "Of all the language poets, Silliman's express-line writing was and is the one that stuck to my ribs. It was so thingy, so specific, so formally radical, so hard-headed, yet witty, and now and then, in spite of itself, lyric. I liked his post-industrial music. I loved ketjak and tjanting and paradise ... And the reach--the compulsion to pull everythi

      
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