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Autor(en): 
  • Hossein Nazari
  • Representing Post-Revolutionary Iran: Captivity, Neo-Orientalism, and Resistance in Iranian–American Life Writing 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 3 Artikel!


    Übersicht

    Auf mobile öffnen
     
    Lieferstatus:   Auf Bestellung (Lieferzeit unbekannt)
    Veröffentlichung:  Juli 2022  
    Genre:  Geschichte / Politik / Kultur 
     
    azar nafisi / Betty Mahmoody / captivity narrative / Cross-cultural / Intercultural studies and topics / Cultural Studies / HISTORY / Middle East / Iran / Iran / Iranian Memoirs; Iranian Revolution; Orientalism; Betty Mahmoody; Azar Nafisi; Marjane Satrapi; captivity narrative
    ISBN:  9780755617364 
    EAN-Code: 
    9780755617364 
    Verlag:  I.B. Tauris 
    Einband:  Gebunden  
    Sprache:  English  
    Dimensionen:  H 234 mm / B 156 mm / D  
    Seiten:  232 
    Zus. Info:  Hardback 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    Memoirs of diasporic Iranian-American authors are a unique and culturally powerful way in which Iran, its politics, and people are understood in the USA and the rest of the world. This book offers an analysis of the processes of production, promotion, and reception of the representations of post-revolutionary Iran. The book provides new perspectives on some of the most famous examples of the genre such as Betty Mahmoody's Not Without My Daughter, Azar Nafisi's Reading Lolita in Tehran: A Memoir in Books, and Fatemeh Keshavarz's Jasmine and Stars: Reading More Than Lolita in Tehran. Hossein Nazari places these texts in their social, historical, and political contexts, tracing their origins within the trope of the American captivity narrative, teasing out and critiquing neo-Orientalist tendencies within, and finally focusing on modes of discursive resistance to neo-Orientalist narratives. The book analyzes the structural means by which stereotypes about Islam and women in the Islamic Republic in these narratives are privileged by news media and the creative industries, while also charting a growing number of 'counterhegemonic' memoirs which challenge these narratives by representing more nuanced accounts of life in Iran after 1979.
      



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