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Weitersagen:


Herausgeber: 
  • Wieland Schwanebeck
  • Reassessing the Hitchcock Touch: Industry, Collaboration, and Filmmaking 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 3 Artikel!


    Übersicht

    Auf mobile öffnen
     
    Lieferstatus:   Auf Bestellung (Lieferzeit unbekannt)
    Veröffentlichung:  August 2018  
    Genre:  Architektur, Archäologie, Kunst 
     
    B / Close Reading / Close Readings in Film and TV / Directing / Film and TV History / Film genres / Film History / Film history, theory & criticism / Film Theory / Film# styles & genres / Films, cinema / Genre / Genre Studies / Literature, Cultural and Media Studies / Motion pictures / Motion pictures—History / Motion pictures—Production and direction / Performing Arts
    ISBN:  9783319867588 
    EAN-Code: 
    9783319867588 
    Verlag:  Springer Nature EN 
    Einband:  Kartoniert  
    Sprache:  English  
    Dimensionen:  H 210 mm / B 148 mm / D  
    Gewicht:  379 gr 
    Seiten:  273 
    Illustration:  XIV, 273 p. 36 illus., schwarz-weiss Illustrationen 
    Zus. Info:  Previously published in hardcover 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    This volume is dedicated to the elusive category of the Hitchcock Touch, the qualities and techniques which had manifested in Alfred Hitchcock¿s own films yet which cannot be limited to the realm of Hitchcockian cinema alone. While the first section of this collection focuses on Hitchcock¿s own films and the various people who made important artistic contributions to them, the subsequent chapters draw wider circles. Case studies focusing on the branding effects associated with Hitchcockian cinema and its seductive qualities highlight the paratextual dimension of his films and the importance of his well-publicized persona, while the final section addresses both Hitchcock¿s formative period, as well as other filmmakers who drew upon the Hitchcock Touch. The collection not only serves as an introduction to the field of Hitchcock scholarship for a wider audience, it also delivers in-depth assessments of the lesser-known early period of his career, in addition to providing new takes on canonical films like Vertigo (1958) and Frenzy (1972).

      



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