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Autor(en): 
  • Alasdair Gray
  • Poor Things [Movie Tie-in] 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 3 Artikel!


    Übersicht

    Auf mobile öffnen
     
    Lieferstatus:   Auf Bestellung (Lieferzeit unbekannt)
    Veröffentlichung:  Oktober 2023  
    Genre:  Romane, Erzählungen, Gedichte 
     
    FICTION# Gothic / FICTION# Historical / General / FICTION# Literary / FICTION# Media Tie-In / FICTION# Satire / FICTION# World Literature / Scotland / 21st Century / LITERATURE# GENERAL FICTION / LITERATURE# SCIENCE FICTION & FANTASY
    ISBN:  9780063374683 
    EAN-Code: 
    9780063374683 
    Verlag:  Harper Collins (US) 
    Einband:  Kartoniert  
    Sprache:  English  
    Dimensionen:  H 202 mm / B 133 mm / D 19 mm 
    Gewicht:  254 gr 
    Seiten:  336 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    NOW THE OSCAR-WINNING MAJOR MOTION PICTURE STARRING EMMA STONE, RAMY YOUSSEF, MARK RUFFALO, AND WILLEM DAFOE, DIRECTED BY YORGOS LANTHIMOS.

    "Witty and delightfully written" (New York Times Book Review), Alasdair Gray’s Poor Things echoes Mary Shelley’s Frankenstein in this novel of a young woman freeing herself from the confines of the suffocating Victorian society she was created to serve.

    Winner of the Whitbread Award and the Guardian Fiction Prize

    In the 1880s in Glasgow, Scotland, medical student Archibald McCandless finds himself enchanted with the intriguing creature known as Bella Baxter. Supposedly the product of the fiendish scientist Godwin Baxter, Bella was resurrected for the sole purpose of fulfilling the whims of her benefactor. As his desire turns to obsession, Archibald’s motives to free Bella are revealed to be as selfish as Godwin’s, who claims her body and soul.

    But Bella has her own passions to pursue. Passions that take her to aristocratic casinos, low-life Alexandria, and a Parisian bordello, reaching an interrupted climax in a Scottish church. Exploring her station as a woman in the shadow of the patriarchy, Bella knows it is up to her to free herself—and to decide what meaning, if any, true love has in her life.

    “Gray has the look of a latter-day William Blake, with his extravagant myth-making, his strong social conscience, his liberating vision of sexuality and his flashes of righteous indignation tempered with scathing wit and sly self-mockery.” —Los Angeles Times Book Review

     “This work of inspired lunacy effectively skewers class snobbery, British imperialism, prudishness and the tenets of received wisdom.”—Publishers Weekly

      



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