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Percussion instrument Introduction: Maraca, Tumbarinu, Gong ageng, Ikembe, Whip, Kus, Bedug, Drumhead, Boomwhacker, Madhalam, Ipu, Rute, Syahi, Pellet
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| Source: Wikipedia. Pages: 59. Chapters: Maraca, Tumbarinu, Gong ageng, Ikembe, Whip, Kus, Bedug, Drumhead, Boomwhacker, Madhalam, Ipu, Rute, Syahi, Pellet drum, Glass marimba, Rainstick, Limberjack, Hosho, Otsuzumi, Yunluo, Tambora, Repinique, Guacharaca, Belleplates, Matched grip, Gyil, Güira, Tabor, Bendir, Paiban, Zhangu, Water drum, Cabasa, Udu, Gangsa, Footed drum, Khol, Rosanna shuffle, Ranat ek, Caja vallenata, Clapstick, Slit gong, Kempul, Deze, Fangxiang, Tetzilacatl, Cuban box drums, Marimbaphone, Malimbe, Thongophone, Chime, Guban, Mizhavu, Carimbo, Talempong, Big Drum, Putipů, Space Harp, Bell cymbal, Bianqing, Naqus, Maddalam and Chenda Keli, Hourglass drum, Moko drum, Ashiko, Ranat thum lek, Chimta, Lummi stick, Zatula, Effects cymbal, Manjira, Ranat ek lek, Gamelan gong gede, Dohol, Handpan, BElls, Cantaro, Tamborita calentana, Elathalam, Binzasara, Kakko, Pyeongyeong, Kemanak, Dhad sarangi, Caisa, Caxixi, Khong wong yai, Manjur, Mazhar, Kepyak, Barrel drum, Cylindrical drum, Rattle, Sampho, Timbal, Jawbone, Raganella, Pyeonjong, Taper, Bell tree, Single-tension, Ganzá, Paigu, Kkwaenggwari, Shak-shak, Krakebs, Sabar, Igba, Moongel, Headless tambourine, Devil chase, Ugal, Kong thom, Kebero, Acme siren, Kecer, Mukkuri, Taphon, Lytavry, Glasschord, Ranat kaeo, Triccaballacca, Kayamb, Jing, Conocchie, Gudugudu, Tan-tan, Roneat thung, Pahu, Huehuetl, Silimba, Tumdah', Tinya, Naker, Tanggu, Lali, Hyoshigi, Kagura suzu, Afoxé, Ahoko, Sulibao, Rolmo, Thunder sheet, Fish-drum, Flat ride, Barril de bomba, Vest frottoir, Đŕn tam thżp lżc, Egg shaker, Semispherical drum, Sikulu, Taarija, Reyong, Obrom, Mihbaj, Rakatak, Kong toch, Humarimba, Long drum, Clay drum, Silnyen, Ulla, Thunder machine, Conical drum, Aburukuwa, Basler drum, Palitos, Esterilla, Step bell, Doubles, Katsa, Goema, Tamalin, Log drum, Bell plate, Swish knocker, Ilimba drum, Al-ras, Skull, Twi ba, Erikundi. Excerpt: File:Example.jpg Two gong sets; pélog scale set and sléndro scale set. Smaller kempul gongs are suspended between gong ageng (largest, right-side) and its gong suwukan (left, facing rearward).The gong ageng is (Kromo Javanese meaning large gong, ngoko is gong gedhe). It is the largest of the bronze gongs in the Javanese and Balinese gamelan orchestra. Unlike the more famous Chinese or Turkish gongs, Indonesian gongs have fixed, focused pitch, and are dissimilar to the familiar crash cymbal sound. It is circular, with a conical, tapering base of diameter smaller than gong face, with a protruding polished boss where it is struck by a padded mallet. Gongs with diameter as large as 135 centimeters (54 inches) have been created in the past, but gongs larger than about 80 centimeters (32 inches) are more common especially to suit the budget of educational institutions. The gong ageng is considered the most important instrument in a gamelan ensemble: the soul or spirit of the gamelan is said to live in it. Gong ageng are often proffered ritual offerings of flowers, food and or and incense before performances to appease spirits believed to inhabit it. Commonly, less expensive iron gong ageng or a slit-type gong are made to fulfill the role of the bronze gong, though at the loss of sound quality- for poorer regions and villages. The cost of expertly pure cast & beaten bronze has seen a rise in bronze-plated and bronze-laminated iron gongs for the undiscerning expatriate. Traditionally, it is the first of the instruments to be made. A highly skille... |
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