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Painted Faces on the Renaissance Stage: The Moral Significance of Face-Painting Conventions
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(Buch) |
Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 2 Artikel!
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| This book shows how the painted face functions as a theatrical signal in Renaissance drama. Explaining the connection between red, white, and black make-up and sexual sin, devilish corruption, and poison, the author surveys how playwrights used face-paint in tragedy to express a wide range of corruption and in comedy to exploit the bawdy meanings of fucus. Illustrated. |
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Auf Bestellung (Lieferzeit unbekannt)
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