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Autor(en): 
  • Romanska Magda
  • Opheliamachine 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 2 Artikel!


    Übersicht

    Auf mobile öffnen
     
    Lieferstatus:   Auf Bestellung (Lieferzeit unbekannt)
    Veröffentlichung:  Januar 2024  
    Genre:  Sprache 
     
    DRAMA / General / feminist reimagining / Fiction in translation / Hamletmachine / Modern and contemporary plays (c 1900 onwards) / modern play translations / modern Shakespeare / PERFORMING ARTS / Theater / Playwriting
    ISBN:  9781350398818 
    EAN-Code: 
    9781350398818 
    Verlag:  Bloomsbury Academic 
    Einband:  Kartoniert  
    Sprache:  English  
    Dimensionen:  H 198 mm / B 128 mm / D 16 mm 
    Gewicht:  240 gr 
    Seiten:  216 
    Zus. Info:  Paperback 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    Ophelia's story in a way you've never heard it before, and seven more ways as well. Ophelia is trapped, stuck inside the machinery that has created her consciousness, fighting to be heard. Hamlet, overwhelmed by the ceaseless flood of media, mindlessly watches TV, consuming a mish-mash of beauty and horror; a daily soup of innocence and violence. The two of them hopelessly confined, and separated by the Atlantic Ocean. A polemic response to Heiner Mueller's Hamletmachine, Opheliamachine is a postmodern tale of love, sex and politics in a fragmented world of confused emotions and global, virtual sexuality. Since its premiere in 2013, Magda Romanska's celebrated experimental play has been performed and studied around the world, with each culture and language feeding into and responding to Opheliamachine's collage of modern existence. This edited collection brings together eight different translations of the play, offering English, German, French, Italian, Spanish, Japanese, Korean, Romanian and Polish language interpretations of Romanska's original text. Along with two introductory essays, these different versions of Opheliamachine provide academics, artists and teachers the opportunity to study a fascinating intersection of Shakespeare, translation, adaptation, feminism and avant-garde theatre.

      



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