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Lieferstatus:	i.d.R. innert 7-14 Tagen versandfertig
Veröffentlichung:	Oktober 2020
Genre:	Romane, Erzählungen, Gedichte
ISBN:	9789354188978
EAN-Code:	9789354188978
Verlag:	Alpha Editions
Einband:	Kartoniert
Sprache:	English
Dimensionen:	H 229 mm / B 152 mm / D 27 mm
Gewicht:	732 gr
Seiten:	454
Bewertung:	Titel bewerten / Meinung schreiben

Inhalt:

A portrait that listens as closely as it reads. Bach's genius is laid bare. Albert Schweitzer's J.S. Bach (Volume I) is a classical music biography and composer life study that combines vivid human portraiture with meticulous score-level insight. As Albert Schweitzer's biography of Bach, it is written by a practitioner-scholar whose background as organist and theologian sharpens the book's organ music scholarship and baroque music analysis. Schweitzer situates the composer in the early 18th century and within the German baroque era, guiding readers through sacred music exploration and the liturgical context that shaped so much of Bach's work. The result reads as much like a music history book for enthusiastic listeners as it does a musicology reference guide or academic music resource for students and specialists. Schweitzer's prose is both sharply analytical and quietly humane; he refuses both hagiography and cold reductionism. The balance of biography and aesthetic evaluation makes Volume I an absorbing companion to any Johann Sebastian Bach study and a serious Albert Schweitzer biography of note among 20th-century musical criticism. Republished by Alpha Editions in a careful modern edition, this volume preserves the spirit of the original while making it effortless to enjoy today - a heritage title prepared for readers and collectors alike. Long prized for its literary intelligence and scholarly rigour, Volume I remains a pivotal Johann Sebastian Bach study: theological reflection sits beside exacting analysis, and the prose balances learned commentary with human sympathy. Casual readers and concertgoers find its narrative compelling and instructive; classic-literature collectors and university libraries appreciate its standing in organ music scholarship and its service as a durable musicology reference. For performers, teachers and students this is also a practical companion, sparking interpretive ideas without dogma. Whether consulted as a companion to listening, taught in seminars, or kept as a collector's volume, Schweitzer's approach continues to illuminate the composer and his age.