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Autor(en): 
  • Camilla Fojas
  • Islands of Empire: Pop Culture and U.S. Power 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 2 Artikel!


    Übersicht

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    Lieferstatus:   i.d.R. innert 7-14 Tagen versandfertig
    Veröffentlichung:  März 2014  
    Genre:  Architektur, Archäologie, Kunst 
    ISBN:  9781477307557 
    EAN-Code: 
    9781477307557 
    Verlag:  University Of Texas Press 
    Einband:  Kartoniert  
    Sprache:  English  
    Dimensionen:  H 229 mm / B 152 mm / D 15 mm 
    Gewicht:  418 gr 
    Seiten:  254 
    Zus. Info:  Paperback 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    Camilla Fojas explores a broad range of popular culture media-film, television, journalism, advertisements, travel writing, and literature-with an eye toward how the United States as an empire imagined its own military and economic projects. Impressive in its scope, Islands of Empire looks to Cuba, Guam, Hawai'i, Puerto Rico, and the Philippines, asking how popular narratives about these island outposts expressed the attitudes of the continent throughout the twentieth century. Through deep textual readings of Bataan, Victory at Sea, They Were Expendable, and Back to Bataan (Philippines); No Man Is an Island and Max Havoc: Curse of the Dragon (Guam); Cuba, Havana, and Dirty Dancing: Havana Nights (Cuba); Blue Hawaii, Gidget Goes Hawaiian, and Paradise, Hawaiian Style (Hawai'i); and West Side Story, Fame, and El Cantante (Puerto Rico), Fojas demonstrates how popular texts are inseparable from U.S. imperialist ideology. Drawing on an impressive array of archival evidence to provide historical context, Islands of Empire reveals the role of popular culture in creating and maintaining U.S. imperialism. Fojas's textual readings deftly move from location to location, exploring each island's relationship to the United States and its complementary role in popular culture. Tracing each outpost's varied and even contradictory political status, Fojas demonstrates that these works of popular culture mirror each location's shifting alignment to the U.S. empire, from coveted object to possession to enemy state.

      
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