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Autor(en): 
  • Ritchin Fred
  • In Our Own Image 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 3 Artikel!


    Übersicht

    Auf mobile öffnen
     
    Lieferstatus:   Auf Bestellung (Lieferzeit unbekannt)
    Veröffentlichung:  November 2010  
    Genre:  Architektur, Archäologie, Kunst 
     
    computer embellishment of imagery / digital age / Digital Imaging / digital printing / digital processing / Documentary Photography / Electronic Publishing / Image processing
    ISBN:  9781597111645 
    EAN-Code: 
    9781597111645 
    Verlag:  Ingram Publishers Services 
    Einband:  Kartoniert  
    Sprache:  English  
    Serie:  Aperture Ideas  
    Dimensionen:  H 233 mm / B 165 mm / D  
    Gewicht:  330 gr 
    Seiten:  168 
    Illustration:  Illustrated in black and white throughout, Illustrated in black and white throughout 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:

    The first book to address the coming revolution in photography, reissued for a contemporary audience.

    Twenty years ago, before the era of digital cameras, cell phones and the internet, Fred Ritchin outlined many of the ways in which the digital age would transform society. In Our Own Image was the first book to address the coming revolution in photography, and asked pointed questions that are increasingly relevant today, including whether democracy can survive the media's facile use of digital means. By the time a second edition was published in 1999, many of Ritchin's predictions had come true. Computer embellishment of imagery had become a staple in the media and had significantly diminished photography's role as a credible witness: Newsday had published the first "future" news photograph of two feuding ice skaters as they would meet the next day, and on its cover, Time magazine darkened and blurred an image of O.J. Simpson in order to lift "a common police mug shot to the level of art, with no sacrifice to truth." This twentieth-anniversary edition features a preface by the author that contextualizes the book for a contemporary audience as it continues to shape the debate about digital imaging since its initial publication.

      
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