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French artists' models: Alice Prin, Camille Claudel, Suzanne Valadon, Dora Maar, Victorine Meurent, Fernande Olivier, Yvette Guilbert, Jeanne Hébutern
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| Source: Wikipedia. Pages: 30. Chapters: Alice Prin, Camille Claudel, Suzanne Valadon, Dora Maar, Victorine Meurent, Fernande Olivier, Yvette Guilbert, Jeanne Hébuterne, Suzanne Hoschedé, Marie-Thérèse Walter, Anna de Noailles, Agnès Sorel, La Goulue, Jane Avril, Catherine Hessling, Dina Vierny, Misia Sert, Françoise Gilot, Berthe de Courrière, Julie Manet, Alice Hoschedé, Marie-Louise O'Murphy, Marie van Goethem, Jacqueline Roque, Apollonie Sabatier, Geneviève Laporte, Marie-Hortense Fiquet, Isabella Eugenie Boyer, Sophie Arnould, Olympe Pélissier, Nusch Éluard, Hermine David, Marcelle Lender, Camille Doncieux. Excerpt: Camille Claudel (8 December 1864 ¿ 19 October 1943) was a French sculptor and graphic artist. She was the elder sister of the poet and diplomat Paul Claudel. Camille Claudel was born in Fère-en-Tardenois, Aisne, in northern France, the second child of a family of farmers and gentry. Her father, Louis Prosper, dealt in mortgages and bank transactions. Her mother, the former Louise Athanaïse Cécile Cerveaux, came from a Champagne family of Catholic farmers and priests. The family moved to Villeneuve-sur-Fère while Camille was still a baby. Her younger brother Paul Claudel was born there in 1868. Subsequently they moved to Bar-le-Duc (1870), Nogent-sur-Seine (1876), and Wassy-sur-Blaise (1879), although they continued to spend summers in Villeneuve-sur-Fère, and the stark landscape of that region made a deep impression on the children. Camille moved with her mother, brother and younger sister to the Montparnasse area of Paris in 1881, her father having to remain behind, working to support them. Auguste Rodin, Portrait of Camille Claudel with a Bonnet, 1886Fascinated with stone and soil as a child, as a young woman she studied at the Académie Colarossi with sculptor Alfred Boucher. (At the time, the École des Beaux-Arts barred women from enrolling to study.) In 1882, Claudel rented a workshop with other young women, mostly English, including Jessie Lipscomb. Alfred Boucher became her mentor and provided inspiration and encouragement to the next generation of sculptors such as Laure Coutan and Claudel. The latter was depicted in "Camille Claudel lisant" by Boucher and later she herself sculpted a bust of her mentor. Before moving to Florence and after having taught Claudel and others for over three years, Boucher asked Auguste Rodin to take over the instruction of his pupils. This is how Rodin and Claudel met and their tumultuous and passionate relationship started. Around 1884, she started working in Rodin's workshop. Claudel became a source of inspiration, his model, h |
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