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Artikel-Nr. 30358450


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Autor(en): 
  • Sorkin Michael
  • Exquisite Corpse: Writing on Buildings 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 3 Artikel!


    Übersicht

    Auf mobile öffnen
     
    Lieferstatus:   Auf Bestellung (Lieferzeit unbekannt)
    Veröffentlichung:  August 1994  
    Genre:  Architektur, Archäologie, Kunst 
     
    Advertising / Aesthetics / American History / Anthropology / Architect / architect gifts / Architecture / ARCHITECTURE / General
    ISBN:  9780860916871 
    EAN-Code: 
    9780860916871 
    Verlag:  Pan macmillan Ltd. 
    Einband:  Kartoniert  
    Sprache:  English  
    Dimensionen:  H 236 mm / B 157 mm / D 19 mm 
    Gewicht:  785 gr 
    Seiten:  380 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    ‘Exquisite Corpse’ was a game played by the surrealists in which someone drew on a piece of paper, folded it and passed it to the next person to draw on until, finally, the sheet was opened to reveal a calculated yet random composition. In this entertaining and provocative book, Michael Sorkin suggests that cities are similarly assembled by many players acting with varying autonomy in a complicit framework. As unfolding terrain of invention, the city is also a means of accommodating disparity, of contextualizing sometimes startling juxtapositions.

    Sorkin’s aim is to widen the debate about the creation of buildings beyond the immediate issues of technology and design. He discusses the politics and culture of architecture with daring, often devastating, observations about the institutions and personalities who have dominated the profession over the past decade. Their preoccupation with the empty style of ‘beach houses and Disneyland’ has consistently trivialized the full constructive scope of contemporary architecture’s possibilities.

    Sorkin’s intervetions range from the development scandals of New York where ‘skyscrapers stand at the intersection between grid and greed’, through the deconstructivist architectural culture of Los Angeles, to the work and ideas of architects, developers and critics such as Alvar Aalto, Norman Foster, Paul Goldberger, Michael Graves, Coop Himmelblau, Philip Johnson, Leon Krier, Frank Llyod Wright, Richard Rogers, Carlo Scarpa, James Stirling, Donald Trump, Tom Wolfe and Lebbeus Woods. Throughout Sorkin combines stinging polemic with a powerful call for a rebirth of architecture that is visionary and experimental—a recuperated ‘dreamy science’.

      



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