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Autor(en): 
  • Julie-Ann Scott
  • Embodied Performance as Applied Research, Art and Pedagogy 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 2 Artikel!


    Übersicht

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    Lieferstatus:   i.d.R. innert 5-10 Tagen versandfertig
    Veröffentlichung:  September 2018  
    Genre:  Psychologie / Pädagogik 
     
    Alternative Education / Art Education / B / biotechnology / Creativity and Arts Education / Disability Studies / Education / Education—Philosophy / Education—Research / Educational Philosophy / Educational strategies & policy / People with disabilities / Performing Arts / Philosophy & theory of education / Research Methods in Education / Sociology / The arts / Theatre and Performance Arts
    ISBN:  9783319876085 
    EAN-Code: 
    9783319876085 
    Verlag:  Springer International Publishing 
    Einband:  Kartoniert  
    Sprache:  English  
    Serie:  Creativity, Education and the Arts  
    Dimensionen:  H 210 mm / B 148 mm / D 13 mm 
    Gewicht:  311 gr 
    Seiten:  236 
    Zus. Info:  Paperback 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    This book follows a physically disabled researcher's journey from stigmatized embodiment on her way to creating accessible storytelling performances. These unique performances function not only as traditional, peer-reviewed forms of critical qualitative research, but also as ¿narrative teaching productions¿ that guide students and their audiences in the pursuit of social justice and equality. The book begins by developing the author's personal standpoint, and provides an evocative discussion of the multiple perceptions and identities experienced by those with disabled bodies. It negotiates how performance research can be created and conducted within the confines of course learning objectives, moves through complications encountered in research design and data collection, and explores a range of insightful responses from community members, social activists, and performance critics, as well as more traditional academic audiences. Critical autoethnographic personal narratives, performance scripts, and poetry are used to illuminate struggles over legitimate methodological practice and storytelling performance pedagogy. Each chapter confronts the fear of mortality that presses us to stigmatize those who remind us of our inescapably vulnerable embodiments and offers hope for an inclusive, adaptable culture. The book will be compelling reading for scholars in Performance Studies, Disability Studies, Cultural Studies, Narrative Methodology, Ethnography, Higher Education, Autoethnography, Creative Nonfiction and everyone interested embodiment and/or storytelling for social change. Please visit www.uncwstorytelling.org/chapter-summaries-1 to access supplementary material for the book.

      
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