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Autor(en): 
  • Murray Pomerance
  • Edge of the Screen 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 3 Artikel!


    Übersicht

    Auf mobile öffnen
     
    Lieferstatus:   i.d.R. innert 7-14 Tagen versandfertig
    Veröffentlichung:  Dezember 2025  
    Genre:  Architektur, Archäologie, Kunst 
     
    2001# A Space Odyssey / Actor / an american in paris / Character / Coherence / Film / Film history, theory or criticism / Film Theory & Criticism
    ISBN:  9798765128329 
    EAN-Code: 
    9798765128329 
    Verlag:  Bloomsbury 
    Einband:  Kartoniert  
    Sprache:  English  
    Dimensionen:  H 226 mm / B 146 mm / D 20 mm 
    Gewicht:  420 gr 
    Seiten:  312 
    Illustration:  20 bw illus 
    Zus. Info:  Paperback 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    This bookis a series of seventeen mediations that revolve around the notion of the viewer's placement at the edge of the screen. Every page is an opportunity to think about an aspect of film, or of film viewing, in new ways, and to begin reconsidering deeply ingrained ways of unthinkingly characterizing and accounting for what it is that we watch when we watch a film, what happens to us, and how we make sense of and appreciate it. This volume follows from three others by the author: Virtuoso: Film Performance and the Actor's Magic(2020); The Film Cheat: Cinematic Artifice and Viewing Pleasure(2021); and Uncanny Cinema: Agonies of the Viewing Experience(2022). All of these, including Edge of the Screen, meander and interrogate cinema as we watch it, both connecting us to and disconnecting us from the moment of pleasure. Each meditation is characterized by a deep penetration of the inquiring, continually hungry authorial mind and a very extensive set of analyses of filmic moments from myriad films, including 2001: A Space Odyssey, Memento, Zabriskie Point, An American in Paris, Planet of the Apes(1968), Superman(1978), Possessed, The Jungle Book(1942), The Spy Who Came In from the Cold, The Toll of the Sea, Rope,and numerous others. These meditations are careful and philosophical as much as energetically ruminative, yet are written in an accessible style for all interested readers who both love cinema and wonder about that love. Each chapter can stand alone, even though all work together to challenge perspectives on what we encounter, experience, think, and feel when we watch films. Across its chapters, Edge of the Screen takes on a wide range of topics: the ontology of film; the relation between characters, actors, and the figures who appear onscreen; film's relationships to the other arts, especially painting but also novels and theatre; the passage of time in film, and its momentary character; film criticism, including deeply held values such as coherence; film's relationship to mortality; and more.

      



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