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Weitersagen:


Herausgeber: 
  • Ezra Winton
  • Aida Vallejo
  • Documentary Film Festivals Vol. 1: Methods, History, Politics 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 3 Artikel!


    Übersicht

    Auf mobile öffnen
     
    Lieferstatus:   Auf Bestellung (Lieferzeit unbekannt)
    Veröffentlichung:  Mai 2020  
    Genre:  Architektur, Archäologie, Kunst 
     
    B / Cultural Studies / Culture / Documentary / Documentary films / Documentary Studies / Film and Television Industry / Film/TV Industry / Global and International Culture / Global Cinema and TV / Global Film and TV / Global/International Culture / Literature, Cultural and Media Studies / Motion pictures / Performing Arts / World
    ISBN:  9783030173197 
    EAN-Code: 
    9783030173197 
    Verlag:  Springer Nature EN 
    Einband:  Gebunden  
    Sprache:  English  
    Serie:  Framing Film Festivals  
    Dimensionen:  H 210 mm / B 148 mm / D 26 mm 
    Gewicht:  675 gr 
    Seiten:  296 
    Illustration:  XXV, 296 p. 18 illus., 13 illus. in color., schwarz-weiss Illustrationen, farbige Illustrationen 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    This book provides the first comprehensive overview of the global landscape of documentary film festivals. Contributors from across the globe offer in-depth analysis of both internationally renowned and more alternative festivals, including Hot Docs (Canada), Nyon (Switcherland), Yamagata (Japan), DocChina, Full Frame (US), Belgrade (former Yugoslavia), Vikalp (India), and DocsBarcelona (Catalonia, Spain), among others. With a special focus on historical and political developments, this first volume draws a map of documentary festivals operating today, and then looks at their origins and evolution.

    This volume is organized in three sections: the first addresses methodological problems film historians and social scientists face when researching documentary film festivals, the second looks at the historical development of this circuit within the wider frame of history of world and national cinemas, and the third reflects on how politics find their way through festival programs and actions. Curatorial, organizational, industrial and political changes occurred in the festival realm addressed in this book help better understand how these affected documentary production, distribution, curation, exhibition and reception up to this day.

    Aida Vallejo is Associate Professor at the University of the Basque Country UPV/EHU, Spain.

    Ezra Winton is a Visiting Scholar at the ReImagining Value Action Lab at Lakehead University, Canada.

     

      
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