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Autor(en): 
  • Matthew Clark
  • Debating Rhetorical Narratology: On the Synthetic, Mimetic, and Thematic Aspects of Narrative 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 2 Artikel!


    Übersicht

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    Lieferstatus:   i.d.R. innert 7-14 Tagen versandfertig
    Veröffentlichung:  Februar 2020  
    Genre:  Sprache 
     
    LITERARY CRITICISM / Ancient & Classical / LITERARY CRITICISM / European / English, Irish, Scottish, Welsh / LITERARY CRITICISM / Semiotics & Theory / Literature - Classics / Criticism / Texte# Antike und Mittelalter / Vereinigtes Königreich, Großbritannien
    ISBN:  9780814255773 
    EAN-Code: 
    9780814255773 
    Verlag:  The Ohio State University Press 
    Einband:  Kartoniert  
    Sprache:  English  
    Dimensionen:  H 229 mm / B 152 mm / D 15 mm 
    Gewicht:  408 gr 
    Seiten:  248 
    Zus. Info:  Paperback 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    In Debating Rhetorical Narratology: On the Synthetic, Mimetic, and Thematic Aspects of Narrative, Matthew Clark and James Phelan provide a model of lively, sharp, and good-natured scholarly exchange. Clark proposes "friendly amendments" to Phelan's theorizing of the synthetic, mimetic, and thematic aspects of narrative, and Phelan responds, often by explaining why he finds Clark's amendments less-than-friendly. Clark rounds off the debate by offering a brief rejoinder. Clark and Phelan consistently ground their theoretical arguments in their analyses of particular narratives, drawing on a corpus that ranges from Homer's Iliad to Tobias Wolff's In Pharaoh's Army and includes, among many others, Jane Austen's Emma, George Orwell's 1984, and Toni Morrison's Beloved. Clark and Phelan's deep dive into the synthetic, mimetic, and thematic leads them to explore many other aspects of narrative and narrative theory: style, audiences, the mimetic illusion, fictionality, and more. Their investigation also leads them into questions about rhetorical narratology's relation to other projects in narrative theory, especially unnatural narratology, and, indeed, about how to assess the explanatory power of competing theories. Ultimately, their debate is compelling testimony about the power of both narrative theory and narrative itself.

      
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