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Autor(en): 
  • Erin Sheley
  • Criminality and the Common Law Imagination in the 18th and 19th Centuries 
     

    (Buch)
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    Lieferstatus:   i.d.R. innert 14-24 Tagen versandfertig
    Veröffentlichung:  April 2020  
    Genre:  Sprache 
     
    LAW / Common / LAW / Legal History / Legal Reference / Law Profession / LITERARY CRITICISM / European / English, Irish, Scottish, Welsh / Literatur# Geschichte und Kritik / Rechtsgeschichte / Vereinigtes Königreich, Großbritannien
    ISBN:  9781474450102 
    EAN-Code: 
    9781474450102 
    Verlag:  Edinburgh University Press 
    Einband:  Gebunden  
    Sprache:  English  
    Serie:  Edinburgh Critical Studies in Law, Literature and the Humanities  
    Dimensionen:  H 234 mm / B 163 mm / D 20 mm 
    Gewicht:  522 gr 
    Seiten:  264 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    A new framework for examining the relationship between individual and cultural trauma, literary texts and the cumulative 'truth' produced by the common law Through interdisciplinary readings of a range of literary and legal texts across a 200-year period, this book uncovers the connections between the individual and collective memories of law and crime that affected the development of the law itself. It draws on 3 case studies - adultery, child criminality and rape testimony - that demonstrate the impact of cultural narrative on legal development in the 18th and 19th centuries. Erin Sheley shows how the symbolic relationship between adultery and threatened English sovereignty created a quasi-criminal legal discourse surrounding the private wrong of adultery; how the literary 'construction' of childhood by 19th-century fairy-tale writers affected the development of the juvenile justice system; and how evolving rules about rape victim 'character evidence' functioned as epistemological components of volatile national identity. Transformative readings of widely read works include: ¿ Charles Brockden Brown's 'Wieland and Ormond' ¿ Thomas Hardy's 'Tess of the d'Urbervilles' ¿ Charles Kingsley's 'The Water-Babies' ¿ George MacDonald's 'The Lost Princess' ¿ Alfred, Lord Tennyson's 'Idylls of the King' ¿ Charlotte Brontë's 'Jane Eyre' ¿ Henry Fielding's 'The Modern Husband' ¿ Sir Walter Scott's 'Heart of Midlothian' ¿ Samuel Richardson's 'Clarissa' Erin Sheley is Associate Professor at the University of Oklahoma College of Law

      



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