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Contemporary Sino-French Cinemas: Absent Fathers, Banned Books, and Red Balloons
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(Buch) |
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Focuses on Sino-French films that have appeared since 2000. Michelle E. Bloom views these works through a Sino-French optic, applying the tropes of métissage (or biraciality), intertextuality, adaptation and remake, translation, and imitation to shed new light on these works. |
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