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Artikel-Nr. 29884060

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  • Elizabeth Emery
  • Laura Morowitz
  • Consuming the Past: The Medieval Revival in fin-de-siècle France 

    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 3 Artikel!


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    Lieferstatus:   Auf Bestellung
    Veröffentlichung:  2021  
    Genre:  Geschichte / Politik / Kultur 
    ISBN:  9781138321212 
    Verlag:  Taylor and Francis 
    Einband:  Kartoniert  
    Sprache:  English  
    Serie:  Routledge Revivals  
    Dimensionen:  H 246 mm / B 174 mm / D  
    Gewicht:  522 gr 
    Seiten:  312 
    Illustration:  Farb., s/w. Abb. 
    Bewertung: Titel bewerten / Meinung schreiben
    'This interesting addition to the growing literature on visual culture at the fin de siècle... an intriguing and necessary interdisciplinary approach... a text that both assembles a rich diversity of material and opens up substantial questions about attitudes to tradition in the early decades of the Third Republic... emphatic and even startling... Consuming the Past makes a valuable contribution to our understanding of how fin-de-siècle France negotiated tradition and [...] performs something of the same function for the middle ages as Debora Silverman's 1989 book on Art Nouveau did for the Rococo.' - Richard Thomson, The Burlington Magazine '...well-written...Highly recommended. All levels and libraries.' - Choice 'This monograph has much to recommend it to readers interested in both medievalism and the medieval period.' - Bonnie Effros, The Medieval Review 'Consuming the Past is a well-produced object unto itself. It has rich, clear illustrations and engravings ranging over medieval and revival artworks and documentation, and the voices of the two authors, either by affinity or editing, work well with each other in measured descriptions and analytical narratives. The great strength of this work is the self-stated complexity with which the authors address their task.' H-France Review '... a well-written and researched study.' - Church History '...readable and well structured study... This jointly authored book demonstrates the merits of interdisceplinary collaborations when embarking on the difficult project of widening methodological frameworks to achieve a truly cultural, rather than literary or art-historical study. The seven chapters lucidly juxtapose the multivalent impact of medievalism in France at the fin de siecle.' - Art History

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