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Herausgeber: 
  • Gunnar Heydenreich
  • Leslie Carlyle
  • Klaas Jan van den Berg
  • Aviva Burnstock
  • Katrien Keune
  • Ilaria Bonaduce
  • Bronwyn Ormsby
  • Mikkel Scharff
  • Conservation of Modern Oil Paintings 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 3 Artikel!


    Übersicht

    Auf mobile öffnen
     
    Lieferstatus:   i.d.R. innert 14-24 Tagen versandfertig
    Veröffentlichung:  Februar 2020  
    Genre:  Naturwissensch., Medizin, Technik 
     
    Analytical Chemistry / B / Characterization and Analytical Technique / Characterization and Evaluation of Materials / Chemistry and Materials Science / Cultural Heritage / Cultural Studies / Materials science / Materials—Surfaces / Microscopy / Nanotechnology / Scientific equipment, experiments & techniques / Social & cultural history / spectroscopy / Spectroscopy and Microscopy / Spectrum analysis, spectrochemistry, mass spectrometry / Surface chemistry & adsorption / Surfaces and Interfaces, Thin Films / Surfaces, Interfaces and Thin Film / Thin films
    ISBN:  9783030192532 
    EAN-Code: 
    9783030192532 
    Verlag:  Springer International Publishing 
    Einband:  Gebunden  
    Sprache:  English  
    Dimensionen:  H 241 mm / B 160 mm / D 38 mm 
    Gewicht:  1225 gr 
    Seiten:  636 
    Zus. Info:  HC runder Rücken kaschiert 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    Artists' oil paints have become increasingly complex and diverse in the 20th Century, applied by artists in a variety of ways. This has led to a number of issues that pose increasing difficulties to conservators and collection keepers. A deeper knowledge of the artists' intent as well as processes associated with material changes in paintings is important to conservation, which is almost always a compromise between material preservation and aesthetics.

    This volume represents 46 peer-reviewed papers presented at the Conference of Modern Oil Paints held in Amsterdam in 2018. The book contains a compilation of articles on oil paints and paintings in the 20th Century, partly presenting the outcome of the European JPI project 'Cleaning of Modern Oil Paints'. It is also a follow-up on 'Issues in Contemporary Oil Paint' (Springer, 2014).

    The chapters cover a range of themes and topics such as: patents and paint manufacturing in the 20th Century; characterization of modern-contemporary oil paints and paint surfaces; artists' materials and techniques; the artists' voice and influence on perception of curators, conservators and scientists; model studies on paint degradation and long term stability; approaches to conservation of oil paintings; practical surface treatment and display.

    The book will help conservators and curators recognise problems and interpret visual changes on paintings, which in turn give a more solid basis for decisions on the treatment of these paintings. 


      
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