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Autor(en): 
  • Sandra Simonds
  • Burning Oracle 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 2 Artikel!


    Übersicht

    Auf mobile öffnen
     
    Lieferstatus:   Auf Bestellung (Lieferzeit unbekannt)
    Veröffentlichung:  Februar 2026  
    Genre:  Sprache 
     
    Poetry / POETRY / Epic / POETRY / Subjects & Themes / Family / POETRY / Women Authors
    ISBN:  9780819502162 
    EAN-Code: 
    9780819502162 
    Verlag:  Wesleyan University Press 
    Einband:  Kartoniert  
    Sprache:  English  
    Dimensionen:  H 229 mm / B 152 mm / D 7 mm 
    Gewicht:  141 gr 
    Seiten:  88 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:

    A fierce, visionary book-length poem

    Burning Oracle is a visionary, book-length poem told from the fractures of a world on fire where myth, memory, and contemporary life collide. Cassandra--seer, mother, survivor--wanders through forests of digital noise and historical trauma, her voice both ancient and urgently new. At the heart of the poem is a pilgrimage to the grave of poet Paul Celan where she traces personal loss within the wider context of inherited trauma--particularly the Holocaust--and seeks meaning in the act of remembering. As floods rise and fires rage, the personal and historical ignite a mythic voice. Through the commonplace of stained dresses, shattered screens, and supermarket aisles, Cassandra encounters figures like Goya, Reynard the fox, and Celan himself, weaving their stories into an intertextual, image-rich landscape. Burning Oracle is a feminist reckoning, a personal mythography, and a testament to the power of poetry to animate the archive of history, memory, and everyday life.

    [sample poem]

    *
    From II

    No source, my Seine,
    a German one instead,
    Sixteen & reading Hölderlin's
    Der Rhein at the foot of a massive
    statue of Goethe and Schiller.
    Stupid anorexic American girl.
    But not really American.
    And not really French.
    And not really Turkish.
    And not really Syrian.
    And not really Spanish.
    And the tourists at the camp.
    Was I a tourist?
    Squeal of the cassette
    tape rewinding
    Pink Floyd's The Wall.
    Ah, when you speak German,
    no one can tell
    you're American. When you speak
    English no one can tell
    you're French. Too sick to go on.
    Anne of Green Gables Figurines.
    I'm always too sick
    to go on, that's
    my charm--a gray
    ruin turned maroon
    turned black.

    *

    It is easier to go mad,
    Francisco says,
    than one might think.

    Easy to lose things.
    People too.
    Perhaps too easy.
    Step inside
    and you may not
    come back.

    He listed the colors he liked:
    Black.
    Black.
    Black.
    Black.
    He told himself
    to stay inside the painting
    of the chartreuse river,
    stay inside, Reader,
    and he found his arms
    roping and looping
    into Cassandra
    holding a tray
    of dead pigeons.

      



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