"Avant-Garde Theatre Sound lends an expert and well-tempered ear to the often clamorous but strangely overlooked soundscapes of modern avant-garde theatre. Eschewing the excitable acousmania of many other sound theorists, Curtin offers searching and historically informed explorations of the intrigues and elations of noise in modern performance. This book puts the question of sound firmly and unignorably into the history of theatre, just as it puts theatre at the heart of sound studies." - Steven Connor, University of Cambridge, UK

". . . Curtin's isa genuinely original book that effectively challenges received approaches to the theatrical avant-garde, one that more than accomplishes his goal to challenge the organizational categories of theatre history-making and of periodization and genre in modernist studies" - Theatre Research International

". . . [Curtin's] attempt at re-constructing specific 'keynote sounds' of modernity, as well as how they must have been experienced and how they live on today, is enthralling." - The Year's Work in Critical and Cultural Theory