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Autor(en): 
  • David Thompson
  • Altman on Altman 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 3 Artikel!


    Übersicht

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    Lieferstatus:   i.d.R. innert 7-14 Tagen versandfertig
    Veröffentlichung:  April 2006  
    Genre:  Architektur, Archäologie, Kunst 
     
    BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts / Cinema Industry / Media, entertainment, information & communication industries / PERFORMING ARTS / Film / Direction & Production / United States of America, USA / USA
    ISBN:  9780571220892 
    EAN-Code: 
    9780571220892 
    Verlag:  Farrar, Strauss & Giroux-3PL 
    Einband:  Kartoniert  
    Sprache:  English  
    Dimensionen:  H 216 mm / B 140 mm / D 20 mm 
    Gewicht:  467 gr 
    Seiten:  330 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    In Altman on Altman, one of American cinema's most incorrigible mavericks reflects on a brilliant career.

    Robert Altman served a long apprenticeship in movie-making before his great breakthrough, the Korean War comedy M*A*S*H (1969). It became a huge hit and won the Palme d'Or at Cannes, but also established Altman's inimitable use of sound and image, and his gift for handling a repertory company of actors. The 1970s then became Altman's decade, with a string of masterpieces: McCabe and Mrs Miller, The Long Goodbye, Thieves Like Us, Nashville . . . In the 1980s Altman struggled to fund his work, but he was restored to prominence in 1992 with The Player, an acerbic take on Hollywood. Short Cuts, an inspired adaptation of Raymond Carver, and the Oscar-winning Gosford Park, underscored his comeback.

    Now he recalls the highs and lows of his career trajectory to David Thompson in this definitive interview book, part of Faber's widely acclaimed Directors on Directors series.

    'Hearing in his own words in Altman on Altman just how much of his films occur spontaneously, as a result of last-minute decisions on set, is fascinating . . . For film lovers, this is just about indispensable.' Ben Sloan, Metro London

      



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