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Lieferstatus:	i.d.R. innert 7-14 Tagen versandfertig
Veröffentlichung:	August 2017
Genre:	Architektur, Archäologie, Kunst
	Aesthetics / Audio-Visual Culture / B / Cognition & cognitive psychology / cognitive psychology / Cultural Studies / Film and TV History / Film History / Film history, theory & criticism / Film Theory / Hermeneutics / Literature, Cultural and Media Studies / Motion pictures / Motion pictures—History / Performing Arts / Philosophy# aesthetics / Philosophy# epistemology & theory of knowledge
ISBN:	9783319551876
EAN-Code:	9783319551876
Verlag:	Springer International Publishing
Einband:	Gebunden
Sprache:	English
Dimensionen:	H 216 mm / B 153 mm / D 14 mm
Gewicht:	338 gr
Seiten:	168
Zus. Info:	HC runder Rücken kaschiert
Bewertung:	Titel bewerten / Meinung schreiben

Inhalt:

This book offers a new approach to film studies by showing how our brains use our interpretations of various other films in order to understand Alfred Hitchcock¿s Vertigo. Borrowing from behavioral psychology, cognitive science and philosophy, author Robert J. Belton seeks to explain differences of critical opinion as inevitable. The book begins by introducing the hermeneutic spiral, a cognitive processing model that categorizes responses to Vertigös meaning, ranging from wide consensus to wild speculations of critical ¿outliers.¿ Belton then provides an overview of the film, arguing that different interpreters literally see and attend to different things. The fourth chapter builds on this conclusion, arguing that because people see different things, one can force the production of new meanings by deliberately drawing attention to unusual comparisons. The latter chapters outline a number of such comparisons¿including avant-garde films and the works of Stanley Kubrick and David Lynch¿to shed new light on the meanings of Vertigo.