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Autor(en): 
  • Jordan Barry
  • Alejandro AmenáBar 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 3 Artikel!


    Übersicht

    Auf mobile öffnen
     
    Lieferstatus:   Auf Bestellung (Lieferzeit unbekannt)
    Veröffentlichung:  Juni 2012  
    Genre:  Architektur, Archäologie, Kunst 
     
    Ágora / Alejandro Amenábar / art film narration / Auteur cinema / Cinephilia / classical Hollywood narration / film audiences / film form
    ISBN:  9780719075896 
    EAN-Code: 
    9780719075896 
    Verlag:  Ingram Publishers Services 
    Einband:  Gebunden  
    Sprache:  English  
    Serie:  Spanish and Latin-American Filmmakers  
    Dimensionen:  H 216 mm / B 138 mm / D 29 mm 
    Gewicht:  540 gr 
    Seiten:  320 
    Illustration:  10 black & white illustrations 
    Zus. Info:  Print PDF 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    Since the release of his first feature (Tesis) in 1996, Alejandro Amenábar has become the 'golden boy' of Spanish filmmaking, its 'King Midas' - a bankable star director - whose brand virtually guarantees quality, big audiences and domestic box office success. He has directed three of the biggest grossing movies in Spanish film history and has enjoyed enormous international and critical acclaim (including an Oscar for Best Foreign Film for Mar Adentro/The Sea Inside, 2004). Having eclipsed Almodóvar, he now stands at the apex of the Spanish film industry and is widely regarded as Spain's best international director. This book seeks to explain how and why this happened. With Alejandro Amenábar, Jordan provides the first full-length study in English of Amenábar's shorts and feature films. Known for his spectacular imagery, sophisticated editing, memorable sound-tracks and challenging subject matter, Jordan shows how Amenábar makes a serious and socially aware, exportable 'middlebrow' cinema, designed for global audiences. There is also a detailed analysis of his engagement with popular film genres as the basis for an auteur cinema, and Jordan incorporates a reappraisal of Amenábar's auteurism as fundamentally decentred and shared. The book will be an essential resource for teachers, students, scholars and fans of Amenábar. It will also appeal to a wider readership, such as those who work in the film, media and culture industries as well as those who have a general interest in the best of Spanish, European and World cinema.

      
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